Sujets :
Objets dans l'art
Arts - Philosophie et théorie
Processus de création
Art et société
Histoire de l'art
Art moderne - 20e siècle
Art moderne - 21e siècle

Dépouillement du document :
Subject, object, thing
Everyday objects, useful objects
Found objects, lost objects, non-objects
Discursive objects, affective objects
Event, object, performance. Subject, Object, Thing
On Subject and Object, 1969 / Theodor Adorno
Manipulating the Self, 1970-73 / General Idea
Talking to Myself: The Ongoing Autobiography of an Art Object, 1970-73 / Adrian Piper
In Conversation with Guy Bellavance, 1983 / Jean Baudrillard
Where Things Enter into Collective Society, 1995 / Michel Serres and Bruno Latour
Vibrant Matter, 2010 / Jane Bennett --
The Alienation of Objects, 2010 / Toby Ziegler and Elizabeth Johnson
What is an Object?, 2011 / Marcus Steinweg
A Thing Like You and Me, 2012 / Hito Steyerl
Das Ding, 1959-60 / Jacques Lacan
Piles, 1968 / Kurt von Meier
Signe?ponge/Signsponge, 1975 / Jacques Derrida
Thing and Object, 1987 / Julia Kristeva
Thing Theory, 2001 / Bill Brown
From Objects to Things, 2004 / Bruno Latour
The Thing Itself, 2006 / Arjun Appadurai
Thing and Object, 2008 / Kristie Miller
Art as Object Attachments: Thoughts on Thingness, 2008 / Dieter Roelstraete
Contents note continued: Everyday Objects, Useful Objects
Six Painters and the Object, 1963 / Lawrence Alloway
The Man-Made Object, 1966 / Gillo Dorfles
Object as Image: The Italian Scooter Cycle, 1988 / Dick Hebdige
Transformers, 1989 / Stephen Willats
The Readymade and the Double, 1993 / Mike Kelley
Simulated Readymades by Fischli & Weiss, 1994 / Boris Groys
The Elementary Object, 1993 / Mel Chin
Friendly Alien: Object and Interface, 2006 / Lev Manovich
The Lamp and the Ribbon, 2009 / Josef Strau
Grundrisse, 1848 / Karl Marx
Statement, 1964 / Marcel Broodthaers
Things, 1965 / Georges Perec
The Use of an Object and Relating through Identification, 1968 / D.W. Winnicott --
Perfect Vehicles, 1986 / Allan McCollum
Reading Things: The Alibi of Use, 1993 / Neil Cummings
Sans Frontie?res: Simulation and Contamination, 1994 / Art in Ruins
From 1 to 1000 Euros, 2002 / Claude Closky
A Production Line of Destruction: In Conversation with Julian Stallabrass, 2001 / Michael Landy
Trading Art: The Museum Shop, 2001 / Piet Vanrobaeys
Contents note continued: Found Objects, Lost Objects, Non-Objects
Theoretical Reconstructions of Imaginary Objects, 1966 / Bruno Munari
Making Good, 1984 / Lynne Cooke
How to Make Objects Talk, 2004 / Issa Samb and Antje Majewski
The Extreme Petrol Can, 2011 / Yacouba Konate
Mapping the Universe, 2012 / Nancy Spector
Lexicon, 2012 / Joe?lle Tuerlinckx
Theory of the Non-Object, 1959 / Ferreira Gullar
1959-61: From Painting to Spraying with Acid, n.d. / Gustav Metzger
Anti-Object, 1967 / Gruppe Geflecht
De-Objectification of the Object, 1969 / Ursula Meyer
Art Object and Artwork, 1989 / Charles Harrison
Inventory of Destructions, 2000 / Eric Watier
Contents note continued: Discursive Objects, Affective Objects
Concrete Poetry and Ian Hamilton Finlay, 1963 / Dom Sylvester Houedard
Ten Thousand Francs Reward, 1974 / Marcel Broodthaers
Don Judd, 1975 / Karl Beveridge and Ian Burn
Powers of Horror: An Essay on Abjection, 1980 / Julia Kristeva
Ludwig Wittgenstein, 1990-93 / Terry Eagleton
The Art Object, 1998 / Alfred Gell
Ordinary Objects, 2007 / Amie Thomasson
Using the Collier Classification System, 2007 / Brian D. Collier
An Essay about Absalon, 2010 / Katrina Palmer
Affecting Abstraction 3 (The Complex Object), 2007 / Falke Pisano
What Things Mean, 2011 / Anders Kreuger
Psychoanalysis and Painting, 1972 / Jean-François Lyotard
Mme Panckoucke, or The Toy Fairy, 1977 / Giorgio Agamben
One Hundred Objects of My Affection, 1961 / Man Ray
A Diary of Objects for the Chilean Resistance, 1974 / Cecilia Vicuna
The Absence, 1978 / Pierre Fedida
Objects of Fetishism, 1982 / Jean Fisher
There Are Objects and Objects, 1991 / Slavoj Zizek
The Matrixial Gaze, 1994 / Bracha Lichtenberg-Ettinger
Sunday July 27 - 95, 1995 / Louise Bourgeois
A Little Object, 2000 / Parveen Adams
All Things Being Equal, 2005 / Benjamin H.D. Buchloh
Counting: Sherrie Levine's Pairs and Posses, 2010 / Howard Singerman
Waste Not, 2009 / Zhao Xiangyuan and Song Dong
The Game of the Object, 2010 / Ge?rard Wajcman
Contents note continued: Event, Object, Performance
Report of a Surveyor, 1984 / John Latham
Object, 1964 / Jimmie Durham
Model for Atomic Forms, 1966 / Kenneth Snelson
Essay on Sculpture, 1967-75 / Richard Serra
Systems Aesthetics, 1968 / Jack Burnham
The Birthday Ceremony, 1980-93 / Sophie Calle
The Sneeze of Louise, 1996 / Phyllida Barlow
Sounding the Object, 2012 / David Toop
Eva Hesse: Reliefs (1964-65), 2006 / Rosalind Krauss
Fundamental Bases for a Definition of the Parangole?, 1964 / Helio Oiticica
Museum of Conceptual Art (1970), 2003 / Tom Marioni
My Work Has Its Roots ..., 1972 / Alina Szapocznikow
Table Tableau, 1974-76 / Marc Camille Chaimowicz
The Relational Object, 1980 / Lygia Clark
Fluxtheatre Answers, 1980 / A.M. Fine
Cleaning the Mirror: Marina Abramovic, 1995 / Chrissie Iles
One One Minute Sculpture by Erwin Wurm, 2002 / Paulo Herkenhoff
De?ja? vu - Gregor Schneider: Die Familie Schneider (2004), 2009 / Aura Satz
Andy Holden: Chewy Cosmos Thingly Time, 2011 / Richard Hore.

Résumé :
Artists increasingly refer to “post-object-based” work while theorists engage with material artifacts in culture. A focus on “object-based” learning treats objects as vectors for dialogue across disciplines. Virtual imaging enables the object to be abstracted or circumvented, while immaterial forms of labor challenge materialist theories. This anthology surveys such reappraisals of what constitutes the “objectness” of production, with art as its focus.

Among the topics it examines are the relation of the object to subjectivity; distinctions between objects and things; the significance of the object’s transition from inert mass to tool or artifact; and the meanings of the everyday in the found object, repetition in the replicated or multiple object, loss in the absent object, and abjection in the formless or degraded object. It also explores artistic positions that are anti-object; theories of the experimental, liminal or mental object; and the role of objects in performance. The object becomes a prism through which to reread contemporary art and better understand its recent past. [editor summary]

Collection : Bibliothèque de l'École nationale de cirque

Localisation : Bibliothèque

Cote : 709.04 H884o 2014

• Ex. 1 — disponible