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y Wesseling, Janneke
     

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LIVRES

Making matters : a vocabulary for collective arts

Wesseling, Janneke ; Cramer, Florian
Amsterdam : Valiz, 2022

The world today faces overwhelming ecological and social problems and the concern for material existence on earth is more pressing than ever. 'Making Matters' spells out various roles that visual artists and designers play facing these issues. Collective action is necessary and inevitable.

Collective action often changes the artist's identity and working habits: from individuality and autonomy to collectivity and collaboration, both locally and globally. These developments have given rise to new kinds of collective art and design practices: artists work together with non-artists, make products for their local environment and take on multiple identities, such as researcher, community activist, computer hacker or business consultant.

'Making Matters' looks at art practices across all continents that do not conform to a Western concept of art nor to traditional distinctions between art, design, research and activism?where the boundaries between art, design, research and activism become blurred or are dissolved. The entries in this vocabulary experiment with concepts and keywords of current art practices that may no longer be recognizable as art.
The world today faces overwhelming ecological and social problems and the concern for material existence on earth is more pressing than ever. 'Making Matters' spells out various roles that visual artists and designers play facing these issues. Collective action is necessary and inevitable.

Collective action often changes the artist's identity and working habits: from individuality and autonomy to collectivity and collaboration, both locally ...


Cote : 700.104 W515m 2022

  • Ex. 1 — disponible
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LIVRES

The perfect spectator : the experience of the art work and reception aesthetics

Wesseling, Janneke
Amsterdam : Valiz, 2017

What happens between a spectator and a work of art at the moment of encounter? How do we experience ‘meaning’ (significance) in an art work? How can the process of interpretation be understood and articulated?

To address these questions, the author explores the field of reception aesthetics, with its central premise that the contemplation of art is a matter of interaction between art work and observer. The research is focused on unravelling and problematizing the theoretical terminology of the interaction between work of art and spectator, deriving from reception aesthetics as well as from hermeneutics and phenomenology, with the aim of building a new theoretical foundation for this terminology. Additionally, different concepts of the spectator are discussed extensively.

Wesseling proceeds from her own personal encounters with art objects, and her professional experience in studying and writing about art, in order to arrive at a new theoretical framework for the contemplation of art works.
What happens between a spectator and a work of art at the moment of encounter? How do we experience ‘meaning’ (significance) in an art work? How can the process of interpretation be understood and articulated?

To address these questions, the author explores the field of reception aesthetics, with its central premise that the contemplation of art is a matter of interaction between art work and observer. The research is focused on unravelling and ...

  • Ex. 1 — disponible
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