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LIVRES

Thinking through circus

Lievens, Bauke ; Ketels, Quintijn ; Kann, Sebastian ; Focquet, Vincent
Gand, Belgique : Art Paper Editions, 2020

Thinking Through Circus gathers ten dialogues with and between circus artists. Each entry bears witness to how a specific circus practice is (also) a practice of critical thinking, revealing how feminism, queerness, dramaturgy, love, disobedience, posthumanism and the aesthetico-political imaginary are rethought in and through contemporary circus practice.

With this book, The Circus Dialogues wants to tend to the embodied relationships between contemporary circus and today’s world, defending circus as a field in which experimental thinking is already happening and can continue to happen. Doing so, we hope to contribute to a more sustainable circus, expanding both accountability and agency within our field.

The Circus Dialogues is a two-year artistic research project at KASK School of Arts Ghent (BE) led by Bauke Lievens (BE), Quintijn Ketels (BE), Sebastian Kann (US/DE) and accompanied by Vincent Focquet (BE). Our work delves into and makes space for encounters between theory and artistic circus practice. The Circus Dialogues aims to shine a light on the circus as a field in which experimental thinking is already happening, and we work to ensure the ongoingness of such thinking in an artistic and institutional ecology that’s long-term sustainable. We do this first and foremost through our diverse artistic practices. In parallel, we organize reading groups and collaborative gatherings for circus artists. We have also published several Open Letters to the Circus. Our activities are conceived with the intention of helping to imagine the circus field as both important and political. Most importantly, we defend circus as an open and undefinable form. [editor summary]
Thinking Through Circus gathers ten dialogues with and between circus artists. Each entry bears witness to how a specific circus practice is (also) a practice of critical thinking, revealing how feminism, queerness, dramaturgy, love, disobedience, posthumanism and the aesthetico-political imaginary are rethought in and through contemporary circus practice.

With this book, The Circus Dialogues wants to tend to the embodied relationships between ...


Cote : 791.301 L7221t 2020

  • Ex. 1 — Consultation sur place
  • Ex. 2 — disponible
  • Ex. 3 — disponible
  • Ex. 4 — emprunté jusqu'au 2024-09-25
  • Ex. 5 — disponible
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MEMOIRES ET THESES

Withdrawal to a humble circus : three careful dramaturgical tactics

Focquet, Vincent
2019

This thesis formulates alternative and more sustainable ways of making, doing and attending circus. These approaches to circus are termed ‘humble circus’ because of the decentralized position of human beings and their staging of careful relations between humans and nonhumans. In the light of the contemporary ecological disaster, a humble circus wants to resists the anthropocentric fantasies of mastery which I consider to be present in a lot of circus practices today. Drawing from potential inherent to today’s circus practices, philosophical texts and the way they speak to each other, three dramaturgical tactics are composed. These tactics are TUNING, CRAFTING and DWELLING. All of them are characterized by the cultivation of careful relations. By looking closely at the way circus artists like Phia Ménard/Compagnie Non Nova, Klub Girko and Un loup pour l’homme tune, craft and dwell, and by thinking through this potential, a humble circus assumes form.
This thesis formulates alternative and more sustainable ways of making, doing and attending circus. These approaches to circus are termed ‘humble circus’ because of the decentralized position of human beings and their staging of careful relations between humans and nonhumans. In the light of the contemporary ecological disaster, a humble circus wants to resists the anthropocentric fantasies of mastery which I consider to be present in a lot of ...

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