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ARTICLES DE PERIODIQUES

Empirical development of a screening method for mental, social, and physical wellness in amateur and professional circus artists

Donohue, Brad ; Gavrilova, Yulia ; Galante, Marina ; Aubertin, Patrice ; Funk, Alisan ; Burnstein, Bryan ; Gavrilova, Elena ; Light, Al ; Benning. Stephen D.
Psychology of Aesthetics Creativity and the Arts vol. 14 no. 3, 313-324, 2020

There is limited information available to assist evidence-supported detection and referral of mental, social, and physical health issues affecting performance in circus artists. Therefore, this study examines mental, social, and physical health of artists in 2 circus settings (circus school, professional circus). The specific aims were to assess overall health and develop data-informed wellness screening methods in these populations, assisting referral guidelines for performance and health optimization. A comprehensive psychometrically validated battery of standardized measures was administered to 109 professional circus artists employed by Cirque du Soleil and students enrolled in the National Circus School. Compared with students, professionals reported significantly fewer problems with social isolation, fatigue, and factors that interfere with circus performance specific to shows/evaluations; they also reported greater satisfaction in their social roles and overall circus performance. Professionals also reported significantly less severe depression, and greater receipt of emotional and informational support compared with normative samples. Scores of students were similar to those of normative samples, although their scores measuring anxiety and fatigue were higher. There were no significant differences between professionals and students in perceived interferences during training, or circus-related problems with coaches and classmates/coworkers. For all participants, scores on measures of mental, social, and physical health were negatively associated with factors reported to interfere with circus performance. Participant responses to the measures were used to develop guidelines to facilitate detection of factors interfering with performa[nce and to assist informed referrals. [editor summary]
There is limited information available to assist evidence-supported detection and referral of mental, social, and physical health issues affecting performance in circus artists. Therefore, this study examines mental, social, and physical health of artists in 2 circus settings (circus school, professional circus). The specific aims were to assess overall health and develop data-informed wellness screening methods in these populations, assisting ...

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ARTICLES DE PERIODIQUES

Acceleration profile of an acrobatic act during training and shows using wearable technology

Barker, Leland ; Burnstein, Bryan ; Mercer, John
Sports Biomechanics n°[May 24, 2018], p.[1-2], 2018

The purpose of this study was to describe the mechanical characteristics of a trampoline circus act and its individual tracks performed in training and shows using a tri-axial accelerometer. A track is an artist's specific role within a choreographed act. Seven male acrobats performed their trampoline act during training and shows while wearing a triaxial accelerometer and reported ratings of perceived exertion (RPE) after each trial. Average acceleration (AVG), root mean square (RMS), root mean to the fourth (RM4), time spent in specific acceleration ranges and RPE were measured/recorded from training and show acts. Paired t-tests compared dependent variables between training and show. Acceleration AVG, RMS and RM4 were significantly higher (p < 0.05) in training than show. RPE was significantly higher (p < 0.05) in show than training. No significant differences existed in time spent in any of the acceleration ranges between training and show. GPS devices have been used to manage workloads in field sports but are inoperable in theatres. But, inertial measurements may be an effective alternative to describe mechanical demands in theatre or arena environments. Wearable technology may be useful to coaches to improve understanding of track demands to manage artist workloads. [editor summary]
The purpose of this study was to describe the mechanical characteristics of a trampoline circus act and its individual tracks performed in training and shows using a tri-axial accelerometer. A track is an artist's specific role within a choreographed act. Seven male acrobats performed their trampoline act during training and shows while wearing a triaxial accelerometer and reported ratings of perceived exertion (RPE) after each trial. Average ...

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