m
0

Documents 

O
L M | F x r
5 résultat(s)
y Carlin, David
     

P Q

Carlin, David

Déposez votre fichier ici pour le déplacer vers cet enregistrement.
V

LIVRES

Performing digital : multiple perspectives on a living archive

Carlin, David ; Vaughan, Laurene
London ; New York : Routledge, 2015

Digital technologies have transformed archives in every area of their form and function, and as technologies mature so does their capacity to change our understanding and experience of material and performative cultural production. There has been an exponential explosion in the production and consumption of video online and yet there is a scarcity of knowledge and cases about video and the digital archive. This book seeks to address that through the lens of the project Circus Oz Living Archive. This project provides the case study foundation for the articulation of the issues, challenges and possibilities that the design and development of digital archives afford. Drawn from eight different disciplines and professions, the authors explore what it means to embrace the possibilities of digital technologies to transform contemporary cultural institutions and their archives into new methods of performance, representation and history.
Digital technologies have transformed archives in every area of their form and function, and as technologies mature so does their capacity to change our understanding and experience of material and performative cultural production. There has been an exponential explosion in the production and consumption of video online and yet there is a scarcity of knowledge and cases about video and the digital archive. This book seeks to address that through ...

  • Ex. 1 — disponible

|

X Sélections

Cochez un panier pour y ajouter l'enregistrement. Décochez-le pour l'en enlever.

4

Gerer mes sélections

|

u Partager

Déposez votre fichier ici pour le déplacer vers cet enregistrement.
y

LIVRES

The abyssinian contortionist : hope, friendship and other circus acts

Carlin, David ; Wogayehu, Sosina
Crawley : UWA Publishing, 2015

Sosina Wogayehu learnt to do flips and splits at the age of six, sitting on the floor of her parents’ lounge room in Addis Ababa, watching a German variety show on the only television channel in the land. She sold cigarettes on the streets at the age of eight, and played table soccer with her friends who made money from washing cars, barefoot in the dust. She dreamed of being a circus performer.

Twenty-five years later, Sosina has conjured herself a new life in a far-off country: Australia. She has rescued one brother and lost another. She has travelled the world as a professional contortionist. She can bounce-juggle eight balls on a block of marble. [editor summary]
Sosina Wogayehu learnt to do flips and splits at the age of six, sitting on the floor of her parents’ lounge room in Addis Ababa, watching a German variety show on the only television channel in the land. She sold cigarettes on the streets at the age of eight, and played table soccer with her friends who made money from washing cars, barefoot in the dust. She dreamed of being a circus performer.

Twenty-five years later, Sosina has conjured ...


Cote : 791.370 92 C282a 2015

  • Ex. 1 — emprunté jusqu'au 2024-10-25

|

X Sélections

Cochez un panier pour y ajouter l'enregistrement. Décochez-le pour l'en enlever.

4

Gerer mes sélections

|

u Partager

Déposez votre fichier ici pour le déplacer vers cet enregistrement.
y

ARTICLES DE LIVRES

Performing research in the creative arts, design and digital humanities: a dialogue

Carlin, David ; Vaughan, Laurene
2015

DC: What exactly have we done and how have we done it? As a given phase of any research project nears its conclusion, it pays to undertake a process of forensic self-reflection. This final chapter takes the form of a dialogue between Laurene and myself, who together represent a small but perhaps strategically positioned sample of the multidisciplinary diversity of this project – the Circus Oz Living Archive – that we’ve been working on for the past four years. The dialogue form, although relatively unconventional in scholarly writing (Plato notwithstanding), seems apt for the theme of performative making that runs through this project.
DC: What exactly have we done and how have we done it? As a given phase of any research project nears its conclusion, it pays to undertake a process of forensic self-reflection. This final chapter takes the form of a dialogue between Laurene and myself, who together represent a small but perhaps strategically positioned sample of the multidisciplinary diversity of this project – the Circus Oz Living Archive – that we’ve been working on for the ...

|

X Sélections

Cochez un panier pour y ajouter l'enregistrement. Décochez-le pour l'en enlever.

4

Gerer mes sélections

|

u Partager

Déposez votre fichier ici pour le déplacer vers cet enregistrement.
y

ARTICLES DE LIVRES

Time and narrative in the digital archive : on account of a circus

Carlin, David
2015

|

X Sélections

Cochez un panier pour y ajouter l'enregistrement. Décochez-le pour l'en enlever.

4

Gerer mes sélections

|

u Partager

Déposez votre fichier ici pour le déplacer vers cet enregistrement.
H Disponible en ligne

ETUDES, GUIDES ET RAPPORTS

Multimodal experiments in the design of living archive

Vaughan, Laurene ; Yuille, Jeremy ; Thom, James ; Stanton, Reuben ; Mullet, Jane ; Miles, Adrian ; Iwan, Lukman Hakim ; Carlin, David
Copenhagen, Denmark : The Nordic Design Research Conference, p.144- 152, 2013

Designing a ‘living archive’ that will enable new forms of circus performance to be realised is a complex and dynamic challenge. This paper discusses the methods and approaches used by the research team in the design of the Circus Oz Living archive. Essential to this project has been the design of a responsive methodology that could embrace the diverse areas of knowledge and practice that have led to a design outcome that integrates the affordances of the circus with those of digital technologies. The term ‘living archive’ has been adopted as a means to articulate the dynamic nature of the archive. This is an archive that will always be evolving, not only because of the on going collection of content, but more importantly
because the performance of the archive users will themselves become part of the archive collection. [authors summary]
Designing a ‘living archive’ that will enable new forms of circus performance to be realised is a complex and dynamic challenge. This paper discusses the methods and approaches used by the research team in the design of the Circus Oz Living archive. Essential to this project has been the design of a responsive methodology that could embrace the diverse areas of knowledge and practice that have led to a design outcome that integrates the ...


Cote : 026.791 3 V364m 2013

  • Ex. 1 — Consultation sur place

|

X Sélections

Cochez un panier pour y ajouter l'enregistrement. Décochez-le pour l'en enlever.

4

Gerer mes sélections

|

u Partager

Listes : nb d'elts/page

Z