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ARTICLES DE PERIODIQUES

2017 ATHE Conference plenary : a spectacular balancing act

Childs, Jane ; Cruz, Carlos Alexis ; Gomez Cruz, Roy ; Ibarra, Xandra ; Khubchandani, Kareem ; Lashua, Chris ; Leroux, Louis Patrick ; Waites, Chase
Theatre Topics, vol. 28 n°1, p. 7-14, march 2018

In keeping with its theme of “Spectacle: Balancing Education, Theory, and Praxis,” the 2017 ATHE conference featured a plenary titled “A Spectacular Balancing Act.” The plenary featured circus dramaturg Louis Patrick Leroux; Cirque Mechanics cofounder and artistic director Chris Lashua; performance artist Xandra Ibarra (aka “La Chica Boom”); and director of the Stagecraft Institute of Las Vegas, Jane Childs. Moderators included assistant professor of physical theatre CarlosAlexis Cruz; doctoral candidate in performance studies Roy Gomez Cruz; assistant professor Kareem Khubchandani; and chairman of the drama department and live entertainment technology at Lone Star College–Montgomery Chase Waites. Following initial statements (and in the case of La Chica Boom, a performance), the plenary moved to break-out sessions facilitated by the moderators. Below are reflections and summations of the event. [editor summary]
In keeping with its theme of “Spectacle: Balancing Education, Theory, and Praxis,” the 2017 ATHE conference featured a plenary titled “A Spectacular Balancing Act.” The plenary featured circus dramaturg Louis Patrick Leroux; Cirque Mechanics cofounder and artistic director Chris Lashua; performance artist Xandra Ibarra (aka “La Chica Boom”); and director of the Stagecraft Institute of Las Vegas, Jane Childs. Moderators included assistant ...

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ARTICLES DE PERIODIQUES

Contemporary circus dramaturgy : an interview with Louis Patrick Leroux

Cruz, Carlos Alexis ; Leroux, Louis Patrick
Theatre Topics vol 24 n° 3 p. 269-273, september 2014

Louis Patrick Leroux is a playwright, director, and professor who holds a joint appointment in the departments of English and French studies at Concordia University in Montreal, where he is also affiliated with Resonance Lab and matralab. His academic research and graduate supervision has focused on self-representation in Québec drama, cultural discourse, literatures on the margins, research-creation, and contemporary circus. He is the founding director of the Montreal Working Group on Circus Research, and, during 2012–14, has been a resident scholar at Montreal’s National Circus School, where he is also an ongoing collaborator with the Canada Industrial Research Chair in Circus Arts. He has recently coedited Cirque Global : Québec’s Expanding Circus Boundaries (under review) with Charles Batson, and Le jeu des positions : Discours du théâtre québécois with Hervé Guay (2014). -

In this interview, Leroux speaks of his gradual understanding of what circus dramaturgy might entail, following his recent experiences working with 7 Fingers (Les 7 Doigts de la Main) and the National Circus School. [editor summary]
Louis Patrick Leroux is a playwright, director, and professor who holds a joint appointment in the departments of English and French studies at Concordia University in Montreal, where he is also affiliated with Resonance Lab and matralab. His academic research and graduate supervision has focused on self-representation in Québec drama, cultural discourse, literatures on the margins, research-creation, and contemporary circus. He is the founding ...


Cote : 791.301 L618c 2014

  • Ex. 1 — Consultation sur place
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ARTICLES DE PERIODIQUES

Reviews: Québec Circus at the First Chicago Contemporary Circus Festival : Ricochet @ the CCCF, Smoke and Mirrors: Changing the performing arts landscape in the United States

Cruz, Carlos Alexis
Québec Studies, September 2014

The artistic direction of the First Chicago Contemporary Circus Festival (January 2014) was unabashedly contemporary with a clear nod to Québec's circus practices. Charles Batson (Union College), Zita Nyarady (York University), CarlosAlexis Cruz (UNC-Charlotte), and Roy Gómez-Cruz (Northwestern University) offer their responses to the three Québec productions programmed in the festival, and to Ricochet, an American company which seemed to share some of the codes and artistic sensibility of young Québec companies while charting its own course. [editor summary]

La programmation de la première édition du festival du cirque contemporain de Chicago (janvier 2014) était sans réserves contemporaine et elle faisait une large place aux pratiques circassiennes québécoises. Charles Batson (Union College), Zita Nyarady (York University), CarlosAlexis Cruz (UNC-Charlotte) et Roy Gómez-Cruz (Northwestern University) se sont livrés à l'exercice de la critique des trois spectacles québécois à l'affiche, ainsi que Ricochet, jeune compagnie américaine, qui semble avoir en commun les codes et la sensibilité artistique de ses contemporains québécois, tout en affirmant sa singularité. [résumé de l'éditeur]
The artistic direction of the First Chicago Contemporary Circus Festival (January 2014) was unabashedly contemporary with a clear nod to Québec's circus practices. Charles Batson (Union College), Zita Nyarady (York University), CarlosAlexis Cruz (UNC-Charlotte), and Roy Gómez-Cruz (Northwestern University) offer their responses to the three Québec productions programmed in the festival, and to Ricochet, an American company which seemed to share ...

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