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MEMOIRES ET THESES

Research project on social circus programs : how social circus programs and institutions are promoting and respecting children’s rights

Marianthi, Mota
Berlin : Freie Universität Berlin, [2010]

Bringing together terms like circus and children’s rights may seem at first site uncombined. But what happens if circus get another meaning like…social circus? Circus as a tradition and a way of life is a living universal organism, a worldwide spoken language that is developing and following its own evolution paths. From traditional circus, to contemporary circus and from circus schools for professionals to social circuses, the circus world has a long history in Europe and in the whole world. In the circus communities of today words like “social integration, self--confidence, hope, creativity, taking responsibility, group--work, fun”, and many more, are more than familiar. These are the social circus communities that co--exist with other communities of traditional, modern, contemporary circus, bringing a whole new way of perceiving circus arts. The world of social circus opened for me while I was looking for my internship. Within my studies at Freie University in Berlin under the title “Master in Childhood studies and Children’s Rights” the professors were quite open in the fields we could look for our internship. It was up to the students to write on a children’s rights matter within the place they chose to do their internship, which of course had to do directly or indirectly with children. Having worked for years as a clown--entertainer in children’s parties, a stillt walker and juggler in numerous performances and voluntarily in Ngo’s working with street kids giving theatrical and juggling workshops, the idea of doing my practicum in a circus school for children was more than tempting since nothing like that exists in my country of origin, Greece. During the one month I spent in Cabuwazi children circus in Berlin, I had my first taste on what is a social circus. Having written an article at the end of my internship on how Cabuwazi is a place that promotes and respects children’s rights, the idea of doing a dissertation on social circuses and their work with children and their rights was pretty much established in my mind. Using different tools and facts I will try to support my hypothesis that Social circus projects (SCP) are institutions and organizations that are supporting and promoting children’s rights. With bibliographic knowledge, internet articles and research, series of interviews and personal experience from the author, we will guide ourselves within the history of circus, the placement of circus arts in today’s societies, an analysis on social circuses, leading us closer to see in which ways SCP are promoting and respecting children’s right and which are these rights specifically.[author summary]
Bringing together terms like circus and children’s rights may seem at first site uncombined. But what happens if circus get another meaning like…social circus? Circus as a tradition and a way of life is a living universal organism, a worldwide spoken language that is developing and following its own evolution paths. From traditional circus, to contemporary circus and from circus schools for professionals to social circuses, the circus world has ...


Cote : 361.701 M3335r 2010

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ETUDES, GUIDES ET RAPPORTS

Circlusion : the artist in the Centre of Social Circus ; how to make a circus performance with a social message

Kids In Action ; Marianthi, Mota
Thessaloniki, Greece : Kids In Action, october 2015

In Thessaloniki Greece in mid-October 2015, the NGO Kids In Action hosted and organized the project “Circlusion. The artist at the centre of social circus” or “How to make a circus performance with a social message”. 17 participants from the local community and the 6 partners countries’ organizations of the network co-existed cooperated and co-created for 5 days a performance touching the sensitive issue of migration. The workshop itself was not one of brainstorming and rehearsing as usually the procedure goes when making a performance piece. This workshop led the artists on stage through a series of experiences that brought them one step closer not only to their circus skills but brought them awareness of their body as artists and what messages the body of a performer can carry and awareness of their own social sensitivity as human beings. The result was a 35minutes performance full of emotions and true representations of what it means to be a migrant through the eyes of Circus. Because Circus performances can be, and they are, more than entertainment.

This working document serves both the purposes of a diary, and that of a guide as well.

A guide addressing the mentality and the exercises used during the workshop. This guide can be used by anyone who would like to try this with groups of artists, youth or other target groups relevant to social circus.
In Thessaloniki Greece in mid-October 2015, the NGO Kids In Action hosted and organized the project “Circlusion. The artist at the centre of social circus” or “How to make a circus performance with a social message”. 17 participants from the local community and the 6 partners countries’ organizations of the network co-existed cooperated and co-created for 5 days a performance touching the sensitive issue of migration. The workshop itself was not ...

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