Dépouillement du document :
1 Performing digital: an introduction

Section I: Proposing

2 Time and narrative in the digital archive : on account of a circus
3 The pulse in the past
4 12 statements for archival flatness
5 performance, practice and presence: design parameters for the living archive

Transtition 1: methods

Section II: making

6 Representing digital collections
7 Design of system architecture for the Circus Oz living archive
8 Designing in the living archive: software and representation
9 Clues for temporal segmentation of circus videos into acts

Transition 2: voices from the archive

Section III: using

10 Breathing life into research mediation
11 Live performance research: digitised circus
12 Circus Oz: a reflection
13 ‘And now, before your very eyes’: the circus act and the archive

Coda

14 Performing research in the creative arts, design and digital humanities: a dialogue

Résumé :
Digital technologies have transformed archives in every area of their form and function, and as technologies mature so does their capacity to change our understanding and experience of material and performative cultural production. There has been an exponential explosion in the production and consumption of video online and yet there is a scarcity of knowledge and cases about video and the digital archive. This book seeks to address that through the lens of the project Circus Oz Living Archive. This project provides the case study foundation for the articulation of the issues, challenges and possibilities that the design and development of digital archives afford. Drawn from eight different disciplines and professions, the authors explore what it means to embrace the possibilities of digital technologies to transform contemporary cultural institutions and their archives into new methods of performance, representation and history.

Collection : Bibliothèque de l'École nationale de cirque

Localisation : Bibliothèque

• Ex. 1 — disponible