Sujets :
Arts du cirque - Philosophie et théorie
Histoire des arts du cirque
Arts du cirque - Russie
Arts du cirque - République Tchèque
Vaudeville
Histoire des arts du cirque - 20e siècle
Public des arts du cirque
Représentation du corps circassien
Cirque contemporain - Philosophie et théorie
Nouveau cirque
Art clownesque - Philosophie et théorie
Avant-garde - Esthétique - Histoire - 20e siècle
Dadaïsme
Esthétique des arts du cirque

Dépouillement du document :
1- Arts for all Senses: Circus and the Avant-Gardes – Introduction / Anna-Sophie Jürgens and Mirjam Hildbrand


2- A Treasure Trove for Avant-garde Artists? Metropolitan Circus Performances around 1900 / Mirjam Hildbrand

3- Circus, Dada, Vaudeville: Historical Avant-Garde – Between Popular and Experimental Theatre / Martina Gross

4- ‘Attractive Novelties’: Spectacular Innovation and the Making of a New Kind of Audience within Colonial Modernity / Martyn Jolly

5- Typocircus and the Czech Avant-Gardes / Anne Hultsch

6- The Present as a Trick or the Assault on the Spectator’s Psyche: Circus and the Soviet Avant-Garde / Oksana Bulgakowa


7- ‘Like a Three-ring Circus’: The Avant-garde Appropriates the Circus in the Battle between Distraction and Attractions / Tom Gunning

8- The Animated Circus and New Arts of Motion / Kristian Moen

9- ‘Glitter and Broken Bones’: Professional Wrestling, Circus, Avant-Garde and the Radical Participatory Body / Claire Warden

　

10- Glam Clowning: From Dada to Gaga – A Conversation with Le Pustra / Anna-Sophie Jürgens and Le Pustra

11- The Aesthetics of Queer Work: Loïe Fuller’s Exhausting Life as Performance Art in Stéphanie Di Giusto’s The Dancer (2016) / Wesley Lim

12- Political Clowns, Thrilling Strong Women and Animal-Free Excitement: Circus Reimagined through 1970s Avant-Garde Political Theatre / Jane Mullett and Peta Tait

13- Avant-Garde Gestures and Contemporaneity in Today’s Circus / Louis Patrick Leroux

14- ‘Today for the last time’? On the Cultural Meanings of Circus and the Avant-Gardes – Some Final Provocations / Mirjam Hildbrand, Anna-Sophie Jürgens and Aiden Essery

Résumé :
This book examines how circus and circus imaginary have shaped the historical avant-gardes at the beginning of the 20th century and the cultures they help constitute, to what extent this is a mutual shaping, and why this is still relevant today.

This book aims to produce a better sense of the artistic work and cultural achievements that have emerged from the interplay of circus and avant-garde artists and projects, and to clarify both their transhistorical and trans-medial presence, and their scope for interdisciplinary expansion. Across 14 chapters written by leading scholars – from fields as varied as circus, theatre and performance studies, art, media studies, film and cultural history – some of which are written together with performers and circus practitioners, the book examines to what extent circus and avant-garde connections contribute to a better understanding of early 20th century artistic movements and their enduring legacy, of the history of popular entertainment, and the cultural relevance of circus arts. Circus and the Avant-Gardes elucidates how the realm of the circus as a model, or rather a blueprint for modernist experiment, innovation and (re)negotiation of bodies, has become fully integrated in our ways of perceiving avant-gardes today.

The book does not only map the significance of circus/avant-garde phenomena for the past, but, through an exploration of their contemporary actualisations (in different media), also carves out their achievements, relevance, and impact, both cultural and aesthetic, on the present time.

Collection : Bibliothèque de l'École nationale de cirque

Localisation : Bibliothèque

Cote : 791.301 J899c 2022

• Ex. 1 — disponible