Sujets :
Nature dans l'art
Nature (Esthétique)
Arts et technologie
Arts - Philosophie et théorie
Art - Aspect de l'environnement
Land art
Installations in situ (Art)
Arts - 21e siècle
Arts - 20e siècle

Dépouillement du document :
Introduction
Material zones
Evolutionary ideas
Cognition and conscience
Biographical notes.

Résumé :
Nature, as both subject and object, has repeatedly been rejected and reclaimed by artists over the last half century. With the dislocation of disciplinary boundaries in visual culture, art that is engaged with nature has also forged connections with a new range of scientific, historical and philosophical ideas. Developing technologies make our interventions into natural systems both increasingly refined and profound. And advances in biological and telecommunication technology continually modify the way we ‘present’ ourselves. So too are artistic representations of nature (human and otherwise) being transformed.

This anthology addresses these issues by considering how the rise of transdisciplinary practices in the postwar era allowed for new kinds of artistic engagement with nature. These include the post-minimalist inscriptions associated with Land art; environmentally engaged practices designed to propose novel forms of stewardship; and more recent projects concerned with relationships between the most subtle and minute components of life and the large-scale appearance of the world. These problematize and unsettle the most basic operations of ‘natural’ personhood and identity.

Including a wide range of writings by and about artists, juxtaposed with influential texts from diverse theoretical bases, this collection provides an overview of the eclectic scientific and philosophical sources that inform contemporary art’s investigations of nature. [editor summary]

Collection : Bibliothèque de l'École nationale de cirque

Localisation : Bibliothèque

Cote : 700.46 K1943n 2012

• Ex. 1 — disponible