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LIVRES

Optical illusions Illusion d'optique = Optische täuschungen = Optische illusies

Guinot, Sergio
Anvers, Belgique : BooQs, 2010

The hundreds of Optical Illusions designs based on fractal geometry play with the perception of the spectator and challenge the reader's senses. Nothing is what it seems in this parallel universe.


Cote : 704.949 152 148 G9648o 2010

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LIVRES

Op art and visual illusions CD-Rom & book

Horemis, Spyros
Mineola : Dover Publications, 2008

Be dazzled by 293 all-original op-art designs employing circles, squares, curves, lines, and angles displayed in an incredible show of balance, asymmetry, and geometrical perfection! Use the black-and-white designs as they are or enlarge, reduce, crop, overlay, or repeat them.


Cote : 704.949 152 148 H8116o 2008

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LIVRES

Masters of deception : Escher, Dali & the artists of optical illusion

Seckel, Al ; Hofstadter, Douglas R, Ph.D
New York : Sterling Publishing, 2004

Astonishing creations by masters of the art, such as Escher, Dali, and Archimbolo; amazing visual trickery; and an illuminating foreword by the Pulitzer Prize--winning author Douglas R. Hofstadter make this 320-page, breathtaking collection the definitive book of optical illusions. Rings of seahorses that seem to rotate on the page. Butterflies that transform right before your eyes into two warriors with their horses. A mosaic portrait of oceanographer Jacques Cousteau made from seashells. These dazzling and often playful artistic creations manipulate perspective so cleverly that they simply outwit our brains: we can't just take a quick glance and turn away. They compel us to look once, twice, and over and over again, as we try to figure out exactly how the delightful trickery manages to fool our perceptions so completely. Of course, first and foremost, every piece is beautiful on the surface, but each one offers us so much more. Some, including Sandro del Prete's charming "Window Gazing," construct illusionary worlds where normal conceptions of up, down, forward, and back simply have no meaning anymore. Others, such as Jos De Mey's sly "Ceci n'est pas un Magritte," create visual puns on earlier work. From Escher's famous and elaborate "Waterfall" to Shigeo Fukuda's "Mary Poppins," where a heap of bottles, glasses, shakers, and openers somehow turn into the image of a Belle Epoque woman when the spotlight hits them, these works of genius will provide endless enjoyment and food for thought. Rings of seahorses seem to rotate and butterflies seems to transform into warriors right on the page. Astonishing creations of visual trickery by masters of the art, such as Escher, Dali, and Archimbolo make this breathtaking collection the definitive book of optical illusions
Astonishing creations by masters of the art, such as Escher, Dali, and Archimbolo; amazing visual trickery; and an illuminating foreword by the Pulitzer Prize--winning author Douglas R. Hofstadter make this 320-page, breathtaking collection the definitive book of optical illusions. Rings of seahorses that seem to rotate on the page. Butterflies that transform right before your eyes into two warriors with their horses. A mosaic portrait of ...


Cote : 704.949 152 148 S444m 2004

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Geometrical designs & optical art : 70 original drawings

Larcher, Jean
New York : Dover Publications, 2004


Cote : 704.949 152 148 L319g 2004

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Illusions d'optique

Rodgers, Nigell
Paris : Solar, 1999

A journey through the world of Penrose staircase, Necker's cube, Hoogstraten's peepshow and a hundred more explorations of the impossible.

This volume contains hundreds of extraordinary images to fool the eye and tease the mind, along with explanations of how they work. Learn how the artists of the Renaissance used the illusion of perspective to create depth, and how Holbein created images only visible from certain angles.


Cote : 704.949 152 148 R6912i 1999

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Visual illusions in motion with moiré screens : 60 patterns and 3 plastic screens

Cassin, Craig
New York : Dover , 1997


Cote : 704.949 152 148 C3455v 1997

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Optical art : theory and practice

Parola, Rene
New York : Dover, 1996


Cote : 704.949 152 148
P2575o 1996

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L'oeil magique II : une nouvelle façon de voir le monde : les images tridimensionnelles

N.E. Thing Enterprises
Richmond Hill, Ontario : Scholastic, 1994

Quand vous parcourez ce livre, vous voyez d'abord des images décoratives, qui sont composées de traits, de couleurs et de dessins. Avec un peu de patience, vous aussi, vous pourrez bientôt découvrir beaucoup plus...


Cote : 704.949 152 148 N1112o 1994

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The optical illusion book

Simon, Seymour ; Ftera, Constance
New York : William Morrow, 1984


Cote : 704.949 152 148 S5941o 1984

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Optical and geometrical allover patterns : 70 original drawings

Larcher, Jean
New York : Dover, 1979

The seventy original optical and geometrical allover patterns in this book have been created by Jean Larcher, one of today's leading French graphic artists. He uses circles, squares, curves, lines, and angles in a myriad of ways, creating some of the most fascinating, innovative patterns ever. The dynamic quality of each design is vibrantly clear. Grouped thematically are dazzling circles, popping squares, shimmering angles, emerging dots, receding diamonds, undulating waves. The visual illusions and movement produced are phenomenal, as some patterns recede, others advance, and still others appear to change size. Some are simple; some are startling and complex--but all are intriguing. Because these patterns repeat infinitely in all directions, they may be readily extended for graphics and design work on any scale. The designs may be reproduced just as they are, or cropped, enlarged, repeated, screened, overlaid, or reworked in any manner.
The seventy original optical and geometrical allover patterns in this book have been created by Jean Larcher, one of today's leading French graphic artists. He uses circles, squares, curves, lines, and angles in a myriad of ways, creating some of the most fascinating, innovative patterns ever. The dynamic quality of each design is vibrantly clear. Grouped thematically are dazzling circles, popping squares, shimmering angles, emerging dots, ...


Cote : 704.949 152 148 L319o 1979

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Japanese optical and geometrical art

Ouchi, Hajime
New York : Dover, 1977


Cote : 704.949 152 148 O931j 1977

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LIVRES

Hidden images : games of perception, anamorphic art, illusion : from the Renaissance to the present

Leeman, Fred ; Elffers, Joost ; Schuyt, Michael
New York : H.N. Abrams, 1976

Among the most baffling and entertaining illusions are those created by anamorphic distortion. By sophisticated application of the laws of perspective, pictures can be stretched and distorted beyond recognition, remaining 'unreadable' until they are viewed from a special angle or with the aid of a suitably shaped reflecting surface. In this book we can play the game of perspective distortion in the company of artists such as Leonardo, Holbein, Caravaggio, and Carracci, and follow its progress through the centuries ... A sheet of reflecting silver plastic is packed in each book. When rolled into a cylinder and placed on a circular picture, it unravels the many secrets -- the hidden political, religious, and erotic images -- that lie hidden in these strange and wonderful works of art
Among the most baffling and entertaining illusions are those created by anamorphic distortion. By sophisticated application of the laws of perspective, pictures can be stretched and distorted beyond recognition, remaining 'unreadable' until they are viewed from a special angle or with the aid of a suitably shaped reflecting surface. In this book we can play the game of perspective distortion in the company of artists such as Leonardo, Holbein, ...


Cote : 704.949 152 148 L485h 1976

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MEMOIRES ET THESES

Mental acrobatics : spatial perceptions of human rotation

Contakos, Jonas Timothy
Urbana (É.-U.) : Graduate College of the University of Illinois at Urbana-Champaign, 2013

The primary goal of this dissertation was to understand to what extent are humans capable of accurately perceiving both their own rotations and the rotations of others and how do spatial manipulations of the actor and the perceiver affect the perception of the action. Four experiments were conducted. Experiment 1 examined the perceptual abilities of both expert gymnasts and novices in the accurate judgment of either a left or right rotation by an animated human figure (avatar) in a series of fixed picture plane orientations. Participants responded with either a verbal “left” or “right” and their mean accuracy and mean response time were recorded. Experiment 2 used the same stimulus but the participants were asked to report their answers by way of one of four arrow button combinations; right button corresponded to a right twist, left button corresponded to a right twist, up button corresponded to a right twist and down button corresponded to a right twist. Both mean accuracy and response time were recorded for each group. Experiment 3 mirrored Experiment 1 except the participants were randomly fixed in one of six picture plane orientations from 0° to 300° of rotation. Experiment 4 used the same apparatus as Experiment 3 where the participants were randomly placed in one of six picture plane orientations however the participants were rotated either left or right and were asked to verbally report their own twisting direction. Experiment 4 tested both novices and expert gymnasts. The general results suggest that the task of accurately determining the twisting direction of another human form is challenging and cognitively demanding. Under most conditions accuracy decreased and response time increased as the phase angle between the participant and the avatar approached 180°. In Experiment 1 experts and novices performed the same and were least accurate and took the longest to respond when the avatar was inverted. The results from Experiment 2 suggested a conflict of strategies between the constraints of the task and the inherent challenge of the task. Participants in Experiment 3 were generally uninfluenced by their own picture plane orientation and in almost all combinations of participant and avatar picture plane orientation they were more accurate and faster than the exclusively upright participants in
Experiment 1. The experts in Experiment 4 were flawless in their responses and significantly faster than in any other experiment. The novices were also relatively fast but the accuracy of the judgments on their own twisting directions was no better than the participants watching the avatar in Experiment 1. The findings suggest that the general task of determining human rotation as either a left or right turn is so challenging that a number of conflicting strategies may have been employed by the participants to help lessen the cognitive demands of the task. The data speaks to the specificity of expertise and outlines a potential discrepancy between expert observers and expert performers. The data suggests that the use of an internal reference frame during the spatial perception of biological motion may be consistent across conditions regardless of participant orientation. [editor summary]
The primary goal of this dissertation was to understand to what extent are humans capable of accurately perceiving both their own rotations and the rotations of others and how do spatial manipulations of the actor and the perceiver affect the perception of the action. Four experiments were conducted. Experiment 1 examined the perceptual abilities of both expert gymnasts and novices in the accurate judgment of either a left or right rotation by ...


Cote : 796.470 15 C759m 2013

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NUMEROS DE REVUES

DADA n°225 : Trompe-l'oeil

Ullmann, Antoine
Paris : Éditions Arola, 2018

« Quand l’oeil s’amuse … », annonce l’Édito de ce numéro de la revue Dada qui explore, en sept rubriques, l’univers des trompe-l’oeil. Le panorama est séduisant : sur quelle pièce ouvre cette porte d’une fresque de Pompéi ? Les anges descendent des voûtes de la Renaissance. Sur les murs aveugles de vieux immeubles, virevoltent des hommes-volants. Le doute est plus troublant encore avec ce beau nuage blanc de Smilde, piégé sous la coupole ou cet homme que Li Wei photographie en apesanteur sur un bouquet de ballons tenu par une fillette. Surprises, énigmes sont le fruit de techniques diverses : jeu avec la perspective, anamorphoses, illusion du mouvement, changement d’échelle. Les artistes s’amusent de ces règles de la représentation : derrière toute image on peut en donner à lire une autre. Le lecteur est ravi de se laisser duper et de tenter ensuite lui aussi de faire sortir du cadre ses propres réalisations ! C’est amusant et stimulant.
« Quand l’oeil s’amuse … », annonce l’Édito de ce numéro de la revue Dada qui explore, en sept rubriques, l’univers des trompe-l’oeil. Le panorama est séduisant : sur quelle pièce ouvre cette porte d’une fresque de Pompéi ? Les anges descendent des voûtes de la Renaissance. Sur les murs aveugles de vieux immeubles, virevoltent des hommes-volants. Le doute est plus troublant encore avec ce beau nuage blanc de Smilde, piégé sous la coupole ou cet ...


Cote : 704.949 152 148 U41t 2018

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ARTICLES DE PERIODIQUES

Gaze fixation improves the stability of expert juggling

Dessing, Joost C. ; Rey, Frédéric Paul ; Beek, Peter J.
2012


Cote : 793.870 15 D475g 2012

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ARTICLES DE PERIODIQUES

The coupling between point-of-gaze and ball movements in three-ball cascade juggling : the effects of expertise, pattern and tempo

Huys, Raoul ; Beek, Peter J.
2002

The relationship between point-of-gaze and ball movements in three-ball juggling was examined as a function of expertise, pattern and tempo. Five intermediately skilled and five expert jugglers performed the standard and reverse cascade at three tempos, while point-of-gaze and ball movements were recorded simultaneously. Scaled to the size of the ball patterns, the experts made smaller point-of-gaze movements than the intermediates, especially in the horizontal direction and in the standard cascade. In both skill groups, point-of-gaze and ball movements were often 1 : 1 frequency locked in the horizontal direction, whereas in the vertical direction 1 : 2 frequency locking also occurred. In the latter direction, the 1 : 1 ratio prevailed in the intermediates and the 1 : 2 ratio in the experts. In addition, the incidence of the 1 : 1 ratio decreased and that of the 1 : 2 ratio increased with increasing tempo. Furthermore, in the vertical direction, increasing tempo resulted in a weaker 1 : 1 locking, whereas the strength of the 1 : 2 ratio remained unaffected by tempo. In the horizontal direction, the strength of the 1 : 1 locking was higher on average in the reverse cascade than in the standard cascade. We conclude that expertise in juggling is reflected by an overall reduction in the extent to which the balls are visually tracked, and that task constraints such as tempo and juggling pattern affect the visual search patterns of both expert and intermediate jugglers. [authors summary]
The relationship between point-of-gaze and ball movements in three-ball juggling was examined as a function of expertise, pattern and tempo. Five intermediately skilled and five expert jugglers performed the standard and reverse cascade at three tempos, while point-of-gaze and ball movements were recorded simultaneously. Scaled to the size of the ball patterns, the experts made smaller point-of-gaze movements than the intermediates, especially ...


Cote : 793.870 15 H988c 2002

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