Dépouillement du document :
From context to concept: the emergence of the performance curator / Bertie Ferdman --
Exhibiting performances: process and valorization in When Attitudes Becomes Forms-Bern 1969/Venice 2013 / Beatrice von Bismarck --
Can we curate dance without making a festival? On dance curatorship and its shifting borders / Elisa Ricci --
Curating performance from Africa for international stages: thoughts on artistic categories and critical discourse / 'Funmi Adewole with Jareh Das --
The curating nation: emergence of performance curation in Singapore and its impact on cultural politics / Ken Takiguchi --
The curatorial choronotope / Peter Dickinson --
More weirdness, more joy: performance curation and pedagogy at Danspace Project and the Institute for Curatorial Practice in Performance / Judy Hussie-Taylor --
Dancing the museum / Thomas F. DeFrantz --
Curatorial discourse and equity: tensions in contemporary dance presenting in the United States / Naomi M. Jackson --
Noticing the feedback: a proposal to the contemporary dance field, and/or this revolution will be crowdsourced / Michèle Steinwald --
Email to a curator: an introduction to The Curators' Piece / Tea Tupajić and Petra Zanki --
Curation as a form of artistic practice: context as a new work through UK-based forest fringe / Deborah Pearson --
The artist-curator, or the philosophy of "Do-It-Yourself" / Julie Bawin --
Being in the Vanguard of sensibility: artists as curators in performing arts-a study of collective affect / Kasia Tórz --
Familias: artist-activist curation in the South Bronx, New York --
What we talk about when we talk about curating the "unexpected" / Syreeta McFadden --
Because I love art, I want art to be different: the project Perverse Curating and a few things I've learned from it / Jacob Wren --
Making stage: contemporary dance and performance curation in the Caribbean / Makeda Thomas --
The work of the musician-curator in relation to the "concept scenario" / Marie-Hélène Breault --
Pseudo-, anti-, and total dance: a self-interview on curation / SALTA --
Collective creation and improvised and curation: a discussion with body slam / Body Slam Improv Collective: Gregory Selinger, Helen Simard, Roger White, Xavier Laporte, Victoria Mackenzie, and Claudia Chan Tak --
A new kind of critical elsewhere / Travis Chamberlain --
Re-enact history? Performing the archive! / Julia Kurz --
Choreographing archives, curating choreographers: Yvonne Rainer, Xavier Le Roy, and the Dance Retrospective / Fabien Maltais-Bayda and Joseph Henry --
Exhibiting dance, performing objects: cultural mediation in the museum / Erin Joelle McCurdy --
The curator's work: stories and experiences from Tino Sehgal's events / Véronique Hudon --
Framing a network, charting dis/courses. Performance curation, community work, and the logic/anxieties of an emerging field / Roselle Pineda --
Food=need: constraints, reflexivity, and community performance / Pam Patterson --
ARC.HIVE of contemporary Arab performing arts: memory, catastrophe, resistance, and oblivion / Adham Hafez --
Collective walks/ spaces of contestation: site-specificity, community involvement, and mobility employed as curatorial strategies in the creation of participatory performances / Mariane Bourcheix-Laporte --
Sound citizen: curating sound art in the distributed public sphere / Morten Søndergaard --
Rethinking the role of institutions and curators in a new interdisciplinary age / Philip Bither --
The curator as a culture producer / Marta Keil --
How to build a manifesto for the future of a festival "festivals as thinking entities," a conversation with Judith Blackenberg, Daniel Blanga-Gubbay, Silvia Bottiroli, and Livia Andrea Piazza, initiated by Silvia Bottiroli and Berno Odo Polzer / Silvia Bottiroli --
The curatorial gesture as a decolonial gesture / Arnaldo Rodriguez Bagué --
Are you not entertained? Curating performance within the institution / Rie Hovmann Rasmussen --
Bodies in museums: institutional practices and politics / Véronique Hudon with Boris Charmatz --
What can contemporary art perform? And then transgress? / Emelie Chhangur --
Situation critical: what comes next for the field of performance curation? / Tom Sellar.

Résumé :
Curating Live Arts brings together innovative essays from international theorist-practitioners to pose vital questions, propose future visions, and survey the landscape of this rapidly evolving discipline.

Collection : Bibliothèque de l'École nationale de cirque

Localisation : Bibliothèque

• Ex. 1 — disponible