Sujets :
Art interactif
Relation de l'artiste avec le public
Art moderne - 20e siècle

Dépouillement du document :
THEORETICAL FRAMEWORKS
The Poetics of the open work / Umberto Eco
The Death of the author / Roland Barthes
The Negation of the autonomy of Art by the avant-garde / Peter Bürger
The Inoperative community / Jean-Luc Nancy
Poetics of Relation / Édouard Glissant
Chaosmosis: An Ethico-Aesthetic Paradigm / Félix Guattari
Problems and Transformations in Critical Art / Jacques Rancière

ARTISTS’ WRITINGS
Towards a Situationist International / Guy Debord
Notes on the Elimination of the Audience / Allan Kaprow
Dance in My Experience / Hélio Oiticica
Letters / Lygia Clark and Hélio Oiticica
Project for the Experimental Art Series, Rosario / Graciela Carnevale
Report of a Day’s Proceedings at the Bureau for Direct Democracy / Joseph Beuys and Dirk Schwarze
I Am Searching For Field Character / Joseph Beuys
Ten Appearances / Collective Actions
Notes on Funk, I–II / Adrian Piper
On Democracy / Group Material
Transnacionala/A Journey from the East to the West / Eda Cufer
The Baudouin and Boudewijn Experiment: A Deliberate, Non-Fatalistic, Large-Scale Group Experiment in Deviation / Carsten Höller
The Battle of Orgreave / Jeremy Deller
No Ghosts in the Wall / Rirkrit Tiravanija
24h Foucault / Thomas Hirschhorn

CRITICAL AND CURATORIAL POSITIONS
Relational Aesthetics / Nicolas Bourriaud
Social Aesthetics / Lars Bang Larsen
What is a Station? / Molly Nesbit, Hans Ulrich Obrist, Rirkrit Tiravanija
Chat Rooms / Hal Foster

Résumé :
The desire to move viewers out of the role of passive observers and into the role of producers is one of the hallmarks of twentieth-century art. This tendency can be found in practices and projects ranging from El Lissitzky's exhibition designs to Allan Kaprow's happenings, from minimalist objects to installation art. More recently, this kind of participatory art has gone so far as to encourage and produce new social relationships. Guy Debord's celebrated argument that capitalism fragments the social bond has become the premise for much relational art seeking to challenge and provide alternatives to the discontents of contemporary life. [editor summary]

Collection : Bibliothèque de l'École nationale de cirque

Localisation : Bibliothèque

Cote : 700.1 B6221p 2006

• Ex. 1 — disponible