Canadian performance documents and debates : a sourcebook
Auteurs : Vickery, Anthony J. (Auteur) ; Nichols, Glen Freeman (Auteur) ; Lindgren, Allana (Auteur)
Lieu de publication : Edmonton, Alberta
Éditeur : University of Alberta Press
Date de publication : 2022
ISBN : 9781772126044
Langue : Anglais
Description : xxxviii, 623 pages : illustrations ; 26 cm
Notes : Index : p. 607-623
Sujets :
Critiques et interprétations
Théâtre - Canada - Histoire
Dépouillement du document :
Thematic Table of Contents Foreword | JERRY WASSERMAN Acknowledgements Introduction | ALLANA C. LINDGREN, GLEN F. NICHOLS, & ANTHONY J. VICKERY 1 | The Theatre of Neptune (1606) | JILL CARTER The Theatre of Neptune in New France | MARC LESCARBOT Translation by VK PRESTON & DANIEL J. RUPPEL 2 | The Conquest of Canada; or the Siege of Quebec (1766) | GLEN F. NICHOLS The Conquest of Canada; or the Siege of Quebec | GEORGE COCKINGS 3 | Acadius, or Love in a Calm (1774) | JUSTIN A . BLUM Acadius, or Love in a Calm | ANONYMOUS 4 | Early Quebec Circus (1797–1950s) | LOUIS PATRICK LEROUX 5 | Petitions Against Performances of “Jim Crow” (1840–1843) | STEPHEN JOHNSON Transcripts of Petitions 6 | Shipboard Performances (1851) | HEATHER DAVIS-FISCH Excerpts of Shipboard Performances 7 | Canadian Fancy Dress Balls (1876–1898) | CYNTHIA COOPER 8 | The Sweet Girl Graduate (1882) | KYM BIRD The Sweet Girl Graduate | SARAH ANNE CURZON 9 | A Red Girl’s Reasoning (1892) | SASHA KOVACS A Red Girl’s Reasoning | E . PAULINE JOHNSON (TEKAHIONWAKE) 10 | Walker Theatre, Winnipeg (1905–1907) | ANTHONY J. VICKERY 11 | Cantonese Theatre in Vancouver (1916–1936) | WING CHUNG NG 12 | The Man Who Went (1916) | ANTHONY J. VICKERY The Man Who Went | WILLIAM ANDREW TREMAYNE 13 | Little Theatre Scenography (1919–1937) | PAUL J. STOESSER 14 | The Wood Carver’s Wife (1919) | MOIRA DAY The Wood Carver’s Wife | MARJORIE PICKTHALL 15 | Evelyn Geary and the Uptown Girls (1922–1938) | AMY BOWRING 16 | The IODE’s Historical Pageant (1927) | ALLANA C. LINDGREN 17 | Rocks (1932) | ANTON WAGNER Rocks | HERMAN VOADEN 18 | Unity (1933) | ALAN FILEWOD Unity | OSCAR RYAN 19 | Cocktail (1935) | CHRISTL VERDUYN Cocktail | YVETTE O. MERCIER-GOUIN Translation by GLEN F. NICHOLS 20 | The Winnipeg Ballet Club (1939) | ERIN JOELLE MCCURDY 21 | William Tell (ca. 1943–1945) | CODY POULTON & JORDAN STANGER-ROSS William Tell | FRIEDRICH SCHILLER Act III, scene three, in a Japanese rendering by JOHN NIHE I Translation by MATSUKI MASUTANI 22 | Gay/Queer and Trans Performances and Cultures in Toronto (1946–1965) | J. PAUL HALFERTY 23 | The Good Life (1947) | RAY ELLENWOOD The Good Life | CLAUDE GAUVREAU Translation by RAY ELLENWOOD 24 | Hilda Morgan (1949) | JOHN JACKSON & HOWARD FINK Hilda Morgan | LISTER SINCLAIR 25 | Christmas Mummering Plays in Newfoundland (1949) | DENYSE LYNDE Oldtime “Mumming” Christmas Play in Newfoundland 26 | A Dialogue on the State of the Theatre in Canada (1951) | JAMES HOFFMAN A Dialogue on the State of the Theatre in Canada | ROBERTSON DAVIES 27 | Tyrone Guthrie and the Festival Stage (1953) | LIZA GIFFEN 28 | Zone (1953) | SYLVAIN LAVOIE Zone | MARCEL DUBÉ English Adaptation by AVIVA RAVE L (1977) 29 | How Now Black Man (1965–1970) | CLARENCE S. BAYNE How Now Black Man | LORRIS ELLIOTT 30 | Theatre in the Canada Pavilion at Expo 67 (1967) | ERIN HURLEY 31 | Lament for Confederation (1967) | JENN COLE Lament for Confederation | CHIEF DAN GEORGE (GESWANOUTH) Previously Published Documents Contributors Index
Résumé :
Canadian Performance Documents and Debates provides insight into theatrical activities from the seventeenth century to the early 1970s, and probes important yet vexing questions about "Canada" as a country and a concept. The volume collects playscripts and archival material such as photographs, petitions, performance programs, and musical scores to explore what these documents tell us about the values, debates, and priorities of artists and their audiences from the past 400 years. For each of the 31 chapters, leading and emerging scholars offer introductions that rethink the artistic, economic, and socio-political significance of plays, dance, opera, circuses, and other performance genres and events. This collection challenges readers to rethink Canadian theatre and performance history, and will be of interest to students and scholars of theatre, dance, music, and Performance Studies.
Collection : Bibliothèque de l'École nationale de cirque
Localisation : Bibliothèque