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Of the presence of the body : essays on dance and performance theory

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Auteurs : Lepecki, André (Auteur)

Lieu de publication : Middletown, États-Unis

Éditeur : Wesleyan University Press

Date de publication : 2004

ISBN : 9780819566126

Langue : Anglais

Description : 184 p. ; 24 cm

Notes : Notes

Sujets :
Danse - Aspect social
Symbolisme du corps humain
Locomotion d'un homme

Dépouillement du document :
Presence and body in dance and performance theory : André Lepecki

1- GENEALOGIES OF PRESENCE

A) Trisha Brown's orfeo : two takes on double endings / Peggy Phelan
B) Genealogy and dance history : foucaults, rainer, bausch and de keersmaker / Ramsay Burt

2- DANCING OTHERING

A) Dance and its others : theory, state, nation and socialism / Randy Martin
B) The black beat made visible : hip hop dance and body power / Thomas F. Defrantz
C) Danced spirituals / Susan Manning
D) Breats milk is sweet and salty ( a choreography of healing) / Barbara Browning

3- ONTOLOGY'S EVENTS¸

A) Given movement : dance and the event / Mark Franko
B) Inscribing dance / André Lepecki
C) Embodying transgression / Karmen Mackendrick

Résumé :
Of the Presence of the Body gathers nine original essays by eminent scholars in the fields of dance and performance studies. Its focus is the historical, cultural and political contexts that inform choreographic and dance practices and critical readings of dance—in other words, how dance operates as critical discourse. The question that runs throughout the essays is the theoretical and political problem of “how dances come to be seen,” how the presence of the body leaves its mark on critical theories and performances.

Focusing exclusively on 20th century dance, the interdisciplinary perspectives range from history to race studies, deconstruction, Marxist theory, feminist theory, literary studies and feminist ethnography. The anthology provides an overview of the current methodologies and theoretical developments in the field of dance studies. These essays expand our understanding of the performing body, and their organization around the epistemological problem in dance studies—the dynamics of seeing, remembering and writing—will make the collection useful for classes in dance criticism and theory, cultural theory, performance studies, and aesthetics. [Editior's summary]

Collection : Bibliothèque de l'École nationale de cirque

Localisation : Bibliothèque

Cote : 792,82 L556p 2004

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