Sujets :
Animaux dans l'art
Relations homme-animal dans l'art
Animaux - Psychologie
Protection des animaux
Arts - Philosophie et théorie
Arts - 21e siècle
Arts - 20e siècle

Dépouillement du document :
Introduction: Art across species and being / Filipa Ramos --
FABLES. Some animals, 2016 / Joan Jonas --
The ant and the reclining beauty, 2013 / Michael Stevenson and Jan Verwoert --
Death park, 2010 / Maria Fusco --
True dog stories, 1930 / Walter Benjamin --
Of cats, dreams and interior knowledge, 1989 / Carolee Schneemann --
The octopus in love, 2014 / Chus Martinez --
The definitively unfinished taxonomy of Marcel Dzama's archetypes and themes, 2013 / Bradley Bailey --
Pense-bête, 1963-64 / Marcel Broodthaers --
Still more changes, 1929 / Henri Michaux --
Human problems, 2006 / Hari Kunzru --
A pig's life, 2003 / Ingo Niermann --
The story of a bear-lady in a sand cave, 2011 / Haegue Yang --
Oh the animals of language, 2014 / Jean-Luc Nancy --
GAZES. Why look at animals, 1977 / John Berger --
Chessboards and brambles, 2013 / Vincent Normand --
Oh, tongue, 2003 / Simone Forti --
The paradox of the phasmid, 1998 / Georges Didi-Huberman --
Taxonomies, 2002 / Giorgio Agamben --
The animal that therefore I am, 2006 / Jacques Derrida --
The illumination of the animal kingdom: The role of light and electricity in animal representation, 2001/ Jonathan Burt --
From hypnosis to animals, 2009 / Raymond Bellour --
A global cinematic zone of animal and technology / Seung-Hoon Jeong --
The one you feed: Stories and images in the work of Rodel Tapaya, 2015 / David Elliott --
Hurting horses, 2005 / Robert Morris --
The post-human animal, 2015 / Ana Teixeira Pinto --
MUTATIONS. Percept, affect, concept / Gilles Deleuze and Fe?lix Guattari --
Of humans, animals and monsters, 2005 / Christoph Cox --
Becoming something else, 2014 / Marcus Coates --
What is it like to be a bat?, 1974 / Thomas Nagel --
Cosmological deixis and Amerindian perspectivism, 1998 / Eduardo Viveiros de Castro --
Creatures, 1960 / Lygia Clark --
Lea Porsager squirming her way through Gurdjieff's work with a certain impoliteness, 2013 / Milena Hoegsberg --
Great apes, 1997 / Will Self --
Sailor, 2013 / Maria Fusco --
Mémoires de la jungle, 2010 / Tristan Garcia --
Unbecoming, animal, 2015 / Mitchell Akiyama --
The matter and meaning of museum taxidermy, 2008 / Rachel Poliquin --
Is humour human?, 2012 / Simon Critchley --
The hands of Beuys and Heidegger, 2000 / Steve Baker --
STRUGGLES. The meaning is confused spatially, framed, 1999 / Mike Kelley --
The supernormal animal, 2015 / Brian Massumi --
Outfitting the laboratory of the symbolic, 2008 / Claire Pentecost --
Companion species manifesto: Dogs, people and significant otherness, 2003 / Donna J. Haraway --
Dogs and the city, 2010 / Miwon Kwon --
A race of wolves, 2014 / Carla Freccero --
The tiger and the theodolite: George Coleman's dream of extinction, 2007 / Kevin Chua --
Birds, 1997 / Jimmie Durham --
The great silence, 2015 / Allora & Calzadilla and Ted Chiang --
The new left within heterotopia, 2014 / Chan Koonchung.

Résumé :
Animals have become the focus of much recent art, informing numerous works and projects featured at major exhibitions. Contemporary art has become a privileged terrain for exploring interspecies relationships, providing the conditions for diverse disciplines and theoretical positions to engage with animal behaviour and consciousness. Artists’ engagement with animals opens up new perspectives on the dynamics of dominance, oppression and exclusion, with parallels in human society; and animal nature is at the heart of debates on the ‘anthropocene’ era and the ecological concerns of scientists, thinkers and artists alike. Centred on contemporary artworks, this anthology attests to the trans-disciplinary nature of this subject, with art as one of its principal points of convergence.

Includes a newly commissioned poem by the artist Joan Jonas, especially for the volume. [editor summary]

Collection : Bibliothèque de l'École nationale de cirque

Localisation : Bibliothèque

Cote : 700.462 R1753a 2016

• Ex. 1 — disponible