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LIVRES

Biocentrism : how life and consciousness are the keys to understanding the nature of the universe

Lanza, Robert ; Berman, Bob
Dallas, Texas : BenBella Books, 2009

Every now and then, a simple yet radical idea shakes the very foundations of knowledge. The startling discovery that the world was not flat challenged and ultimately changed the way people perceived themselves and their relationships with the world. “If the earth were really round,” it was argued, “Then the people at the bottom would fall off.” For most humans of the 15th century, the notion of Earth as ball of rock was nonsense. The whole of Western natural philosophy is undergoing a sea change again, forced upon us by the experimental findings of quantum theory. At the same time, these findings have increased our doubt and uncertainty about traditional physical explanations of the universe’s genesis and structure.

Biocentrism completes this shift in worldview, turning the planet upside down again with the revolutionary view that life creates the universe instead of the other way around. In this new paradigm, life is not just an accidental byproduct of the laws of physics. [editor summary]
Every now and then, a simple yet radical idea shakes the very foundations of knowledge. The startling discovery that the world was not flat challenged and ultimately changed the way people perceived themselves and their relationships with the world. “If the earth were really round,” it was argued, “Then the people at the bottom would fall off.” For most humans of the 15th century, the notion of Earth as ball of rock was nonsense. The whole of ...


Cote : 523.1 L297b 2009

  • Ex. 1 — disponible
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ARTICLES DE PERIODIQUES

Physics in Performance: Three Choreographic Adaptations

Morgenroth, Joyce
Dance Chronicle vol.33 n°3, p.353-387, 2010

As the complex and counterintuitive ideas arising from modern physics have been made accessible via books, articles, and television programs to those with curiosity and persistence, a number of choreographers have tapped the methods and concepts of classical and modern physics for sources of choreography. The choreographers discussed here have used physics in three distinctly different ways, scientifically, artistically, and philosophically: Elizabeth Streb has focused on forces and modeled her process on that of science; Karole Armitage and Amanda Miller have metaphorically translated concepts of physics in making choreographic choices; and Merce Cunningham has shifted long-accepted conceptual and compositional paradigms. [author summary]
As the complex and counterintuitive ideas arising from modern physics have been made accessible via books, articles, and television programs to those with curiosity and persistence, a number of choreographers have tapped the methods and concepts of classical and modern physics for sources of choreography. The choreographers discussed here have used physics in three distinctly different ways, scientifically, artistically, and philosophically: ...


Cote : 792.820 1 M851p 2010

  • Ex. 1 — Consultation sur place

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