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Master illusionist Mark Wilson has compiled the most comprehensive magic "teach-in" ever assembled. The secrets to more than 300 classic tricks-from sleight of hand to levitation-are carefully explained in this 503-page volume.

It's all here: Card Magic, Coin Magic, Rope Magic, Mental Magic, Make-at-Home Magic, Sponge Ball Magic, Billiard Ball Magic, Cups and Balls Magic, and Magical Illusions. Mark Wilson devoted more than two years of research, writing, and technical preparation to this book. More than 50,000 still photographs were taken of the detailed execution of the tricks considered worthy to include in this course, and these photographs were edited and converted into hundreds of simplified line drawings. The straightforward text follows Mark Wilson's "step method" of magic instruction, the same method he has used to teach magic to Tony Curtis, Telly Savalas, Bill Bixby, Dick Van Dyke, Peter Faulk, Bernadette Peters, John Denver, and other professional entertainers. It's thoroughness makes Mark Wilson's Complete Course In Magic especially recommended for the beginner with absolutely no experience in magic. At the same time, its scope and depth has earned this book a place in the libraries of many of today's most accomplished magicians, professional and amature alike!

Today, known throughout the world, Corinda has been acclaimed as inventor, writer, and teacher of Mentalism -- the art of mind-reading. While on tour in America, his friends persuaded him to write a book and with the support of nearly every professional Mentalist in the world, Corinda set out to compile The Thirteen Steps to Mentalism.

After two years the series was published step by step. Without the advice of friends and invaluable assistance of the Puslisher, Harry Clarke, the task would have been impossible. However, Corinda succeeded in producing what has now become the most classic encyclopedia of mental magic. For this, he has received many honours -- including recognition from The Magic Circle who awarded him membership to the Inner Circle with Gold Star -- a covetous award.

You will learn:

The Swami Gimmick
Pencil, lip, sound, muscle reading
Mnemonics & Mental Systems
Predictions
Blindfolds & X-Rays
Billets
Book Tests & Supplement
Two Person Telepathy
Mediumistic Stunts
Card Tricks
Question & Answer Effects
Publicity Stunts
Patter & Presentation

This magic volume series was originally designed as a correspondence course for budding magicians. Once they were collected and bound, the series has become an unparalleled reference standard for magicians. In its impact on the magic world, it is second perhaps in its influence on the art of magic only to Hoffman's Modern Magic, and many professional magicians have based their careers on the Tarbell Course.

The entire collection comprises more than one-hundred lessons in every aspect of magic including micromagic/close-up magic, escapology, mentalism and stage illusions. It is the most comprehensive literary work in magic history. The original five volumes contained sixty correspondence lessons with more than 3,000 illustrations.

In addition to teaching specific tricks, The Tarbell Course also teaches patter, marketing, the history of magic, ethics, advertising, routining, presentation, diction and elocution, magic theory, performance theory, acting, misdirection, timing and showmanship.

Volume 7 of the series was written by Harry Lorayne and compiled from contributions by other magicians; it is valued largely for its comprehensive index, subdivided by title, contributor, and properties, to the first seven volumes.

Volume 8 of the series was compiled and edited by Richard J. Kaufman and Steve Burton. It collected Harlan Tarbell's widely scattered and previously uncollected writings on magic, which Kaufman then fashioned into something resembling the first six volumes of the course. Since most of the book was written and illustrated by Tarbell, it is linked more closely to the rest of the course than Volume 7.

This magic volume series was originally designed as a correspondence course for budding magicians. Once they were collected and bound, the series has become an unparalleled reference standard for magicians. In its impact on the magic world, it is second perhaps in its influence on the art of magic only to Hoffman's Modern Magic, and many professional magicians have based their careers on the Tarbell Course.

The entire collection comprises more than one-hundred lessons in every aspect of magic including micromagic/close-up magic, escapology, mentalism and stage illusions. It is the most comprehensive literary work in magic history. The original five volumes contained sixty correspondence lessons with more than 3,000 illustrations.

In addition to teaching specific tricks, The Tarbell Course also teaches patter, marketing, the history of magic, ethics, advertising, routining, presentation, diction and elocution, magic theory, performance theory, acting, misdirection, timing and showmanship.

Volume 7 of the series was written by Harry Lorayne and compiled from contributions by other magicians; it is valued largely for its comprehensive index, subdivided by title, contributor, and properties, to the first seven volumes.

Volume 8 of the series was compiled and edited by Richard J. Kaufman and Steve Burton. It collected Harlan Tarbell's widely scattered and previously uncollected writings on magic, which Kaufman then fashioned into something resembling the first six volumes of the course. Since most of the book was written and illustrated by Tarbell, it is linked more closely to the rest of the course than Volume 7.

This magic volume series was originally designed as a correspondence course for budding magicians. Once they were collected and bound, the series has become an unparalleled reference standard for magicians. In its impact on the magic world, it is second perhaps in its influence on the art of magic only to Hoffman's Modern Magic, and many professional magicians have based their careers on the Tarbell Course.

The entire collection comprises more than one-hundred lessons in every aspect of magic including micromagic/close-up magic, escapology, mentalism and stage illusions. It is the most comprehensive literary work in magic history. The original five volumes contained sixty correspondence lessons with more than 3,000 illustrations.

In addition to teaching specific tricks, The Tarbell Course also teaches patter, marketing, the history of magic, ethics, advertising, routining, presentation, diction and elocution, magic theory, performance theory, acting, misdirection, timing and showmanship.

Volume 7 of the series was written by Harry Lorayne and compiled from contributions by other magicians; it is valued largely for its comprehensive index, subdivided by title, contributor, and properties, to the first seven volumes.

Volume 8 of the series was compiled and edited by Richard J. Kaufman and Steve Burton. It collected Harlan Tarbell's widely scattered and previously uncollected writings on magic, which Kaufman then fashioned into something resembling the first six volumes of the course. Since most of the book was written and illustrated by Tarbell, it is linked more closely to the rest of the course than Volume 7.

ncore une fois Claude Klingsor frappe fort !
Dans ce document de 121 pages, il relate par le détail 28 effets de Mentalisme et de magie paranormale. Pouvant constituer un véritable numéro complet, il allie de nombreuses techniques connues : fil invisible, colles spéciales, pliages de papiers, électronique de pointe, transmission codée, etc.

Ayant une connaissance encyclopédique de toutes les techniques magiques employées depuis des décennies voire des siècles, il mélange habilement ancien et moderne, trucs éprouvés et magie technologique.

Rien que les effets créés grâce à sa cabine spirite miniature vaut amplement le prix de ce livre. Issu d'un principe créé par Steward James, la cabine spirite de Klingsor prend un coup de jeune terrible grâce à l'emploi de moteurs et de récepteurs !

Avec Klingsor, les esprits ont intérêt à se tenir à carreau !