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LIVRES

Streb : how to become an extreme action hero

Streb, Elizabeth ; Phelan, Peggy ; Deavere Smith, Anna
New York : Feminist Press, 2010

Elizabeth Streb has been testing the potential of the human body since childhood. Can she fly? Can she run up walls? How fast can she go? With clarity and humor—and with a world-class dance troupe called STREB—she continues to investigate what real movement is and has come to these conclusions: It's off the ground! It creates impact! It hurts trying to stop it! In this pathbreaking book, Streb combines memoir and analysis to convey how she became an extreme action dancer/choreographer, developing a form of movement that's more NASCAR than modern dance; more boxing than ballet.

Once called the Evel Knievel of dance, Elizabeth Streb intertwines the disciplines of dance, athletics, rodeo, the circus, and Hollywood stunt-work. She founded STREB in 1985, which performs internationally in theaters, museums, and town squares. She established S.L.A.M. (Lab for Action Mechanics) in 2003, a factory space in Brooklyn, which produces a cottage industry of extreme action performances and invites everyday people to wonder about movement, gravity, and flight. [editor summary]
Elizabeth Streb has been testing the potential of the human body since childhood. Can she fly? Can she run up walls? How fast can she go? With clarity and humor—and with a world-class dance troupe called STREB—she continues to investigate what real movement is and has come to these conclusions: It's off the ground! It creates impact! It hurts trying to stop it! In this pathbreaking book, Streb combines memoir and analysis to convey how she ...


Cote : 792.809 2 S914s 2010

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MEMOIRES ET THESES

Peril or possibility ? : the performance of risk in aerial circus art and acrobatic theatre

Meyer, Amy ; Montez, Noe
Medford (MA) : Tufts University, 2014

Acrobatic acts have attracted audiences for centuries. Despite a history of injury and death, performers remain driven to push physical boundaries and audiences remain eager to witness risky feats. This thesis introduces the concept of risk as a performative construct, and draws on reception theory to consider the use of physical risk in performance. It follows the development of aerialism in the circus from nineteenth-century England to twentieth-century America, and examines the ways in which a growing investment with risk management has shaped contemporary circus acts. It interrogates the perception of risk, and the limits of its appeal. It then explores how acrobatics have been used in the theatre as a mode of dramatic expression. Ultimately, it argues that physical risk-taking in performance holds the potential to deeply connect performers and spectators in a shared sensation of success, evoking a communal sense of possibility in the face of perceived limitation. [author summary]
Acrobatic acts have attracted audiences for centuries. Despite a history of injury and death, performers remain driven to push physical boundaries and audiences remain eager to witness risky feats. This thesis introduces the concept of risk as a performative construct, and draws on reception theory to consider the use of physical risk in performance. It follows the development of aerialism in the circus from nineteenth-century England to ...


Cote : 791.340 1 M6121p 2014

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MEMOIRES ET THESES

Les lifestyle sports : comprendre les liens entre la socialisation et le risque

Séguin-Manègre, Maude
Montréal : Université du Québec ; Institut national de la recherche scientifique, 2014


Apprendre à la fois à se placer volontairement dans des situations de plus en plus risquées et à gérer la progression de sa prise de risque personnelle constitue un trait particulier des lifestyle sports (Wheaton, 2004). Ce mémoire a pour but de comprendre la place qu’occupe le risque dans le processus de construction et dans la confirmation de l’identité des membres des groupes de lifestyle sports. Pour ce faire, la recherche expliquera les formes que prend le risque à chaque étape de la carrière (Becker, 1963) d’un adepte de lifestyle sport. Plus précisément, nous verrons comment le risque est surtout présent dans la socialisation et la confirmation d’un participant alors que les étapes préliminaires de présocialisation et d’initiation sont très peu teintées par celui-ci. L’échantillon de ce projet est constitué de 20 participants,
seize adeptes de slackline et quatre traceurs de parkour. [résumé de l'auteur]

Apprendre à la fois à se placer volontairement dans des situations de plus en plus risquées et à gérer la progression de sa prise de risque personnelle constitue un trait particulier des lifestyle sports (Wheaton, 2004). Ce mémoire a pour but de comprendre la place qu’occupe le risque dans le processus de construction et dans la confirmation de l’identité des membres des groupes de lifestyle sports. Pour ce faire, la recherche expliquera les ...


Cote : 302.12 L452l 2014

  • Ex. 1 — disponible
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