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Reflecting circus acrobatic practices in the preparation and creation process of the actor is, above all, to value multidisciplinary issues that add to the scenic work. These practices tend to walk alone, however, in this article, I propose to reflect the experience of uniting them, making it possible to understand and enrich the scenic work, in addition to enhancing the expansion of my repertoire. In this research, I seek the approximation and the equation of my theatrical and circus experiences, reflecting the creative and technical experience I experienced during the Circus Arts Course at the National Circus School - ENC and the subsequent transformations that aggregate my scenic repertoire. [resumo do autor]