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ENREGISTREMENTS VIDEO

Marina Abramovic : The artist is present

Akers, Matthew ; Abramovic, Marina
HBO Documentary Films, 2012

Seductive, fearless, and outrageous, Marina Abramovi? has been redefining what art is for nearly forty years. Using her own body as a vehicle, pushing herself beyond her physical and mental limits––and at times risking her life in the process––she creates performances that challenge, shock, and move us. Through her and with her, boundaries are crossed, consciousness expanded, and art as we know it is reborn. She is, quite simply, one of the most compelling artists of our time. [editor summary]
Seductive, fearless, and outrageous, Marina Abramovi? has been redefining what art is for nearly forty years. Using her own body as a vehicle, pushing herself beyond her physical and mental limits––and at times risking her life in the process––she creates performances that challenge, shock, and move us. Through her and with her, boundaries are crossed, consciousness expanded, and art as we know it is reborn. She is, quite simply, one of the ...


Cote : DOCU A3151m 2012

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ENREGISTREMENTS VIDEO

7 easy pieces

Abramovic, Marina ; Mangolte, Babette

For 'Seven Easy Pieces' Marina Abramovic reenacted five seminal performance works by her peers, dating from the 1960's and 70's, and two of her own, interpreting them as one would a musical score. The project confronted the fact that little documentation exists from this critical early period and one often has to rely upon testimony from witnesses or photographs that show only portions of any given performance. The seven works were performed for seven hours each, over the course of seven consecutive days, November 9 15, 2005 at the Guggenheim Museum, in New York City. 'Seven Easy Pieces' examines the possibilities of representing and preserving an art form that is, by nature, ephemeral.
For 'Seven Easy Pieces' Marina Abramovic reenacted five seminal performance works by her peers, dating from the 1960's and 70's, and two of her own, interpreting them as one would a musical score. The project confronted the fact that little documentation exists from this critical early period and one often has to rely upon testimony from witnesses or photographs that show only portions of any given performance. The seven works were performed for ...


Cote : DAN

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