Interrupting the city artistic constitutions of the public sphere
Auteurs : Bax, Sander (Auteur) ; Gielen, Pascal (Auteur) ; Ieven, Bram (Auteur)
Lieu de publication : Amsterdam
Éditeur : Valiz
Collection : Antennae
Date de publication : 2015
ISBN : 9789492095022
Langue : Anglais
Description : 326 p. : 21 cm
Notes : Bibliograph : p.297
Index
Sujets :
Installations in situ (Art)
Intervention artistique dans l'espace public
Arts - Aspect politique
Arts - Philosophie et théorie
Art et société
Dépouillement du document :
A public sphere, for example / Sander Bax, Pascal Gielen, Bram Ieven
1- ARTISTIC IMAGINATION OF THE CITY
Voices of finance: the Joris Luyendijk Banking blog and Tom Lanoye's novel Gelukkige slaven / Sander Bax
Cities & signs : rethuinking Calvino's urban imaginaries / Odile Heynders
How to dare, interrupt, intrude, fictionalize and scream for a public : an interview with Sarah Vanhee / Bojana Cvejic?
ActionScape / Rennie Tang & Sara Wookey
2- THE CITY AND ITS POLITICS
Can we tolerate it? notes on the public sphere after the end of Liberalism / Bram Ieven
The machinic-dividual city / Gerald Raunig
The political art of urban insurgency / Erik Swyngedouw
3- STRUGGLE WITH THE CITY
Poet interrupted: Bart Moeyaert as Antwerp's poet lauteate (2006-2007) / Vanessa Joosen
Embodying the possibilities of public space
Circus Amok: an interview with Jennifer Miller / Tessa Overbeek
Mysteries of the creative class, or, I have seen the enemy and they is us / Gregory Sholette
4- COMMON PUBLIC SPACE
Of cities roaring / Geertjan de Vugt
Commonplaces on the (spatial) commons / Lieven de Cauter
Peforming the common city: on the crossroads of art, politics and public life / Pascal Gielen
Résumé :
Interrupting the City looks at how artistic practices and interventions constitute the public sphere. To interrupt the city means to arrest the flow or circulation of the urban system. The tactics by which this is achieved may vary, ranging from a media offensive to street riots, but each and every time these activities affect the public sphere, they make the public sphere. Thus, the public domain is constituted by a combination of social, political and media forces, in a continual flux that is constantly being interrupted. This book attempts to chart the conditions for developing a voice in the public sphere, and to ask in what way these conditions may be altered by means of artistic interventions. Its contributions delve into the relations between artistic practices and the public space, including the urban relations between art and politics. [Résumé de l'éditeur]
Collection : Bibliothèque de l'École nationale de cirque
Localisation : Bibliothèque
Cote : 792.022 01 B3551i 2015