Sujets :
Théâtre - Étude et enseignement
Jeu et interprétation
Expression corporelle

Dépouillement du document :
Actor’s External Technique
Actor’s External Technique (cont.)
Actor’s External Technique (end)
Body as a Material Medium of Acting
Desomatisation (Loss of Functions)
Desomatisation (Self-destruction)
Body and Soul (in Life)
Body and Soul (in Art)
Stanislavski
Meyerhold
The Problem (between Stanislavski and Meyerhold)
Vakhtangov
The Others (Time to Search)
After The Titans (Time to Lose)
Drama School in the Age of Pluralism
Physical Universalism
Phobia of the Physical
Phobia of the Physical (cont.)
On Actor’s External Technique Again (dropout of the external technique)
Actor Physical Training (Time to Gather)

Résumé :
If, as an actor, your body is your 'instrument' - and the only way you can express the internal impulses of the character you're playing - what happens when the body-mind, 'psychophysical' connection is lost? Andrei Droznin, Russia's foremost teacher of physical actor training, calls this loss the 'desomatization' of the human body, and argues that these connections urgently need to be restored for full expressivity. This is a genuinely unique book which links theory to practice by a man who has worked at the very top of Russian theatre; a movement specialist who has taught at the Moscow Art Theatre as well as drama schools all over the world. Beautifully translated by Natasha Fedorova, this volume will excite and inspire a new generation of English-language readers.

Collection : Bibliothèque de l'École nationale de cirque

Localisation : Bibliothèque

Cote : 792.028 D793p 2017

• Ex. 1 — disponible