Sujets :
Théâtre de l'absurde - Histoire et critique
Théâtre européen - 20e siècle - Histoire et critique
Beckett, Samuel [écrivain]
Ionesco, Eugène [dramaturge]
Genet, Jean [écrivain]
Pinter, Harold [dramaturge]
Théâtre - Philosophie et théorie
Jeu et interprétation
Dramaturgie
Langage du corps
Absurde (Philosophie)
Parodie

Dépouillement du document :
The Absurdity of the Absurd
1. Samuel Beckett: The Search for the Self
2. Arthur Adamov: The Curable and the Incurable
3. Eugene Ionesco: Theatre and Anti-Theatre
4. Jean Genet: A Hall of Mirrors
5. Harold Pinter: Certainties and Uncertainties
6. Parallels and Proselytes
7. The Tradition of the Absurd
8. The Significance of the Absurd
9. Beyond the Absurd

Résumé :
The 'Theatre of the Absurd' has become a familiar term to describe a group of radical European playwrights – writers such as Samuel Beckett, Eugène Ionesco, Jean Genet and Harold Pinter – whose dark, funny and humane dramas wrestled profoundly with the meaningless absurdity of the human condition. It is a testament to the power and insight of Martin Esslin's landmark work, originally published in 1961, that its title should enter the English language in the way that it has. [editor summary]

Collection : Bibliothèque de l'École nationale de cirque

Localisation : Bibliothèque

Cote : 809.293 84 E789t 2014

• Ex. 1 — disponible