Auteurs : Barbier, Michèle (Auteur)

Éditeur : Cirque Magazine n° 3, p.55-57, ill.

Date de publication : février 2007

Langue : Français

Description : Cirque Magazine n° 3, p.55-57, ill.

Sujets :
Franconi, Antonio (1737-1836)
Histoire du cirque
Propriétaires de cirque - Biographies

Localisation : Périodiques

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Sur le même sujet

L'introduction du cirque en France : spectacles et sociabilités au XVIIIe siècle
Circus : an albumCircus celebrates the evolution of this gloriuos spectacle under the Big Top -- from its early days of Minoan horn-vaulting and medieval street performers through its heyday in Europe and North America with entrepreneurs such as P.T. Barnum and the Ringling family to the circus of today such as Cirque du Soleil. Illustrated with photographs, posters, paintings, and tickets from around the world, we are introduced to performers who have thrilled crowds with their daring and to world-famous clowns who have transformed comic routines into art. In this first comprehensive children's book on the subject, readers will discover the daily life of circus families, the music, training, and costumes, and the legends -- from Jumbo the elephant to the original "daring young man on the flying trapeze". Sidebars full of fascinating circus trivia about superstitions, "lot lingo", and circus inventions such as the leotard and pink lemonade, add to the fun. A fascinating inside look at one of the world's most daring and dazzling entertainments.[editor summary]
Philip Astley and the horsemen who invented the circus (1768-1814)In this fascinating and carefully researched book, Dominique Jando tells us when, why and how the former sergeant-major of a British Hussars regiment created the most universal form of entertainment, the Circus. It was not a chance occurrence: the place, the times and the social context, all led to this pivotal moment. Philip Astley became England's greatest showman, but if he was indeed a visionary, he was not a lone experimentalist: immediately, other equestrians followed his example and participated in the development and expansion of the circus in Europe and the Americas. This is the story, too, of these extraordinary and colorful pioneers who were Astley's contemporaries, whether pupils, competitors or colleagues: Charles Hughes, John Bill Ricketts, Philip Lailson, Antonio Franconi and a few others-including Astley's own son, John Conway Astley. Relying in large part on their contemporaries' testimony, Dominique Jando places these pioneers back in their historical and social context, as well as in the often-overlooked context of the nascent show business of the late eighteenth century-principally in Great Britain, but also in Europe and in America. [editor summary]
Le Cirque en France au XVIIIème siècle
Antonio Franconi : l'aristocrate du cirque
Le cirque a deux mille ans, le cirque a deux cents ansfranco

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