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In-between dance cultures : on the migratory artistic identity of Sidi Lardi Cherkaoui and Akram Khan

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Auteurs : Cools, Guy (Auteur)

Lieu de publication : Amsterdam

Collection : Antennae

Date de publication : 2015

ISBN : 9789492095114

Langue : Anglais

Description : 160p. : 21 cm

Notes : Bibliograph : p.128-132. Index

Sujets :
Cherkaoui, Sidi Larbi [chorégraphe]
Danse - Philosophie et théorie
Spectacles de danse - Critique et interprétation
Danse - Processus de création
Khan, Akram [chorégraphe]
Chorégraphie
Identité culturelle
Arts dans la société

Dépouillement du document :
1- AREN'T WE ALL MIGRATING BODIES ?
Moving forward and backward
Becoming a migrating body

2- ON A MIGRATING IDENTITY
The dominance of the western, (post) modern vision of identity
The ambivalent nature of the (post) migrant identity
A liminal identity in-between
A multiple, polyphonic identity
Identity as storytelling
The creative confusion of the migrating body

3- TWO INTERTWINED ARTISTIC JOURNEYS
A chamaleon absorbing other dance cultures and languages / Sidi Larbi Cherkaoui
Being rotted in one dance culture / Akram Khan
Zero degrees (2005) : the serendipity of a meeting
Myth (2007) : integrating polarities
Bahok (2008) : one world, many languages
Babel (2010) : cacophony of languages, polyphony of movements
Desh (2011) : dialogue with the homeland
Putting a new social imagery of the migrating body centre stage

CODA : THE IN-BETWEEN OF A DIALOGICAL ART PRACTICE
The rebirth of dialogue : the art of listening
Dance dramaturgy as a dialogical practice

Résumé :
Belgian-Moroccan Sidi Larbi Cherkaoui and British-Bengali Akram Khan are two of today's most prolific choreographers. Given their respective backgrounds and the practices they pursue, their artistic universes are largely built around their identity in-between dance cultures. Dramaturg Guy Cools, who accompanied both, situates their work within the larger critical debate on the (post)modern and (post-)migrant identity. With a uniquely privileged insight into their creative practices, Cools details some of their iconic pieces. He also shows how they invent a new and much-needed social imagery ? which is both dialogical and embedded in a lived, migratory experience ? for present-day living in a globalized environment. As such, In-between Dance Cultures offers a complementary view on questions of cultural identity taking the contemporary dancer’s somatic awareness and knowledge of the body as its starting point. [editor summary]

Collection : Bibliothèque de l'École nationale de cirque

Localisation : Bibliothèque

Cote : 792.809 2 C5214i 2015

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