Sujets :
Forsythe, William [chorégraphe]
Chorégraphes - Biographies
Chorégraphes - États-Unis
Frankfurter Ballett [compagnie de danse]
Danse contemporaine - Histoire
Multidisciplinarité en danse
Processus de création

Dépouillement du document :
Watching the ballet Frankfurt, 1988-2009 / Roslyn Sulcas
Of monsters and puppets: William Forsythe's work after the 'Robert Scott Complex' / Gerald Siegmund
Splintered encounters: the critical reception to William Forsythe in the United States, 1979-1989 / Mark Franko
Nijinsky's heir: a classical company leads modern dance / Senta Driver
Timbral architectures, aurality's force: sound and music / Chris Salter
Dancing music: the intermodality of The Forsythe Company / Freya Vass-Rhee
Choreographic objects / William Forsythe
Deceration: fragmentation and continuity / Dana Caspersen
Inside the knot that two bodies make / Steven Spier
Aberrations of gravity / Heidi Gilpin
The space of memory: William Forsythe's ballets / Gerald Siegmund
Choregraphic thinking and amateur bodies / Steven Spier

Résumé :
William Forsythe’s reinvigoration of classical ballet during his 20-year tenure at the Ballett Frankfurt saw him lauded as one of the greatest choreographers of the postwar era. His current work has gone even further to challenge and investigate fundamental assumptions about choreography itself. This essay presents a diverse range of critical writings on his work, with illuminating analysis of his practice from an interdisciplinary perspective. [editor summary]

Collection : Bibliothèque de l'École nationale de cirque

Localisation : Bibliothèque

Cote : 792.820 92 S7555w 2011

• Ex. 1 — disponible