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ARTICLES DE LIVRES

“Attractive novelties”
Spectacular innovation and the making of a new kind of audience within colonial modernity

Jolly, Martyn
2022

Amongst the many intertwining strands of colonial spectacle, I follow three – mechanical puppets, waxworks and spectral illusions – through the Australian colonies around the middle of the nineteenth century. Using ideas loosely derived from previous studies of the history of the circus and the avant-gardes I discuss how these spectacles and performances constituted a specifically Colonial Modernity. Although their forms were derived from British, European and North American sources, in the colonies show people and audiences together produced extraordinary new experiences which were innovative in their own right. I identify the characteristics which make Colonial Modernity different to Metropolitan Modernity. I argue for a rethinking of Modernity away from a model of concentrically diminishing ripples, towards a model of small eruptions of energy across interconnected transnational webs of interaction between the apparatuses, performers and audiences of both the frontier and the metropole.
Amongst the many intertwining strands of colonial spectacle, I follow three – mechanical puppets, waxworks and spectral illusions – through the Australian colonies around the middle of the nineteenth century. Using ideas loosely derived from previous studies of the history of the circus and the avant-gardes I discuss how these spectacles and performances constituted a specifically Colonial Modernity. Although their forms were derived from ...


Cote : 791.301 J899c 2022

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ARTICLES DE LIVRES

The circus and the magic lantern: A portfolio of hand-painted mechanical magic lantern slides

Jolly, Martyn ; deCourcy, Elisa

The development of the magic lantern and the circus parallel each other. Magic lantern culture and the circus evolved slowly during the seventeenth and eighteenth centuries as showmen and performers tramped across Europe. In the nineteenth century, while the itinerant tradition continued, the magic lantern and the circus became a part of urban theatrical culture as entrepreneurs developed elaborate phantasmagoria exhibitions and circuses incorporated diverse acts into their shows. Both circuses and magic lantern shows developed organised entertainment spaces, mechanical apparatuses and performative conventions through which audiences experienced surprise, wonder and laughter. It is not surprising therefore that they shared iconography. The exaggerated gestures, dexterity and comic repertories of the circus performers made them the ideal subject matter for the animated transformations of mechanical glass slides. This chapter presents a curated selection of these slides drawn from private and public collections. The portfolio of images and sequences in the chapter will be contextualised by a discussion of the evolution of lantern and circus traditions in nineteenth-century colonial Australia, demonstrating connections and divergences between the two modes of entertainment, and their influence on contemporary media technologies.
The development of the magic lantern and the circus parallel each other. Magic lantern culture and the circus evolved slowly during the seventeenth and eighteenth centuries as showmen and performers tramped across Europe. In the nineteenth century, while the itinerant tradition continued, the magic lantern and the circus became a part of urban theatrical culture as entrepreneurs developed elaborate phantasmagoria exhibitions and circuses ...

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2022 [1]

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