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y Farrell, Rosemary
     

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ARTICLES DE PERIODIQUES

A great show-family business : Circus and Edgley International

Farrell, Rosemary ; Tait, Peta
Australasian Drama Studies n°60, p.157-169, April 2012

This article describes the history of the Edgley family business in relation to its circus productions and the contribution of key female family members. Michael Edgley International (Edgley's) is an Australian entertainment company that toured productions to large audiences throughout Australasia, Asia, South Africa and the USA. It toured up to six theatre, dance and other live entertainments annually for over fifty years, which attests to the ...

  • Ex. 1 — Consultation sur place
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ARTICLES DE PERIODIQUES

Foot fascination in performance in China and Australia in the nineteenth century

Farrell, Rosemary
Early Popular Visual Culture vol.7 n°1, p.19-27, April 2009

Chinese theatrical performances were part of the popular visual culture of colonial Australia. This article addresses a cultural fascination with Chinese female feet in China and Australia in the nineteenth century. It discusses the political and social interpretations of an advertised performance featuring Chinese females with small feet in Australia in 1860 and proposes new cultural understandings of the Chinese performers’ identity by the ...

  • Ex. 1 — Consultation sur place
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ARTICLES DE PERIODIQUES

Nanjing project: chinese acrobatics, australian new circus and hybrid intercultural performance

Farrell, Rosemary
Australasian Drama Studies n°53, p.[186]-202, Octobre 2008

The Chinese acrobatic training process introduced at the Nanjing Project, which provided a foundation for the successful intercultural hybridisation of Australian new circus, is documented. The Nanjing Project was a major factor in a revival of interest in Chinese circus skills, which have were present in Australia since the mid-nineteenth century. [editor summary]

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2012 [1]

2009 [1]

2008 [1]

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