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LIVRES

Cirque Global : Quebec's expanding circus boundaries

Leroux, Louis Patrick ; Batson, Charles R.
Montréal : McGill-Queen's University Press, 2016

Essays examine the innovative and influential circus scene as a creative, entrepreneurial, and cultural force that spans the globe.

With a billion-dollar industry centred in Montreal, the province of Quebec has established itself as a major hub for contemporary circus. Cirque du Soleil has a global presence, and troupes such as Cirque Éloize and 7 doigts de la main are state-of-the-art innovators. The National Circus School of Montreal - the ...


Cote : 791.309 714 L618c 2016

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ARTICLES DE PERIODIQUES

Freak and queer : towards a queer circus, queer hatchings, monsters in the cabinet, and queering circus sessions

Batson, Charles R. ; Malouin, Hayley ; Richmond, Kelly ; Taylor, Zajdlik
Performance Matters vol.4 n°1-2, p.163-199, 2018

In “Toward a Queer Circus: Lessons of and from the Theatre with Jean Cocteau, Barbette, Phia Ménard, and Les Précieuses des nuits de Montréal,” Batson seeks what we might explicitly call queer circus, even as he admits to experiencing the queer in much of circus through viewings nourished by Sedgwick-like reparative readings. Intertwining his explorations with texts by Malouin, Richmond, and Zajdlik, he examines mutually informing notions of ...

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ARTICLES DE PERIODIQUES

Reviews: Québec Circus at the First Chicago Contemporary Circus Festival : Caught : In Chicago with Flip FabriQue's Attrape-moi

Batson, Charles R.
Québec Studies, September 2014

The artistic direction of the First Chicago Contemporary Circus Festival (January 2014) was unabashedly contemporary with a clear nod to Québec's circus practices. Charles Batson (Union College), Zita Nyarady (York University), CarlosAlexis Cruz (UNC-Charlotte), and Roy Gómez-Cruz (Northwestern University) offer their responses to the three Québec productions programmed in the festival, and to Ricochet, an American company which seemed to share ...

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ARTICLES DE PERIODIQUES

Pink, Cirque, and the Québécisation de l'industrie

Batson, Charles R.
Québec Studies , September 2014

During the broadcast of the 2010 Grammy Awards, the vocal artist Pink offered an aerial performance that immediately was labeled "Cirque du Soleil-esque" in the popular media and elicited a remark that her work pointed to "la Québécisation de l'industrie." This article explores this celebration of a Québécois influence on, evens signs of Québec itself in, the performance industry in the United States. Through an analysis of genealogies of both ...

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ARTICLES DE PERIODIQUES

“Bêtes de Scène” : Robert Lepage's Totem, Circus, and the Freakish Human Animal

Batson, Charles R.
Contemporary French and Francophone Studies vol.16 n°5, p.615-623, 2012

The 2010 première of Cirque du Soleil's Totem immediately sparked comments about the human animal at the heart of the show. With his mise-en-scène tracking an evolutionary journey from the beginnings of life to human development of flight, Robert Lepage expressly calls attention to the animal in the human. This article traces particular moments of the spectacle that underscore a reading in which limits are disturbed and where the ordinary and ...


Cote : CIRQ-221-SOL

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ETUDES, GUIDES ET RAPPORTS

Queer Circus and Gender : Montréal and Queer Circus : Les Précieuses des nuits de Montréal [The Precious Creatures of Montreal's Nights]

Batson, Charles R.
Stockholm : Stockholm University of the Arts , 2015

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