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y Artistes de cirque - Angleterre - Biographies
     

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LIVRES

Father of the modern circus 'Billy Buttons' : the life & times of Philip Astley

Ward, Steve
Barnsley, Angleterre : Pen and Sword History, 2018

The world of the circus has a long and colourful history, but it was with a man named Philip Astley that the 'modern' circus was founded. It was 250 years ago, in April 1768, that Astley pegged out a circular ride on the banks of the Thames and gave performances of trick riding to a paying audeince. Trick riding was nothing new, so what made Astley so popular? He was an accomplished horseman, a military hero and an instincitve showman. Above all, he was an entrepreneur who realized that people would pay good money to be entertained--and to be entertained well. He created the comic character of Billy Buttons, and other acts were added to his performances: clowns, rope dancers, tumblers, and strongmen. The circus, as we might recognize it today, was born. _Father of the Modern Circus-- 'Billy Buttons'_ investigates the life and times of this veritable giant of the circus world. From his early days as an apprentice cabinetmaker and his military exploits in the 15th Dragoons to the trials and tribulations of establishing himself as a respected performer and his international successes in France and Ireland, this book gives a detailed account of the larger than life figure that was Philip Astley. [editor summary]
The world of the circus has a long and colourful history, but it was with a man named Philip Astley that the 'modern' circus was founded. It was 250 years ago, in April 1768, that Astley pegged out a circular ride on the banks of the Thames and gave performances of trick riding to a paying audeince. Trick riding was nothing new, so what made Astley so popular? He was an accomplished horseman, a military hero and an instincitve showman. Above ...


Cote : 791.309 2 A855f 2018

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LIVRES

Philip Astley and the horsemen who invented the circus (1768-1814)

Jando, Dominique ; Binder, Paul
CreateSpace Independent Publishing Platform, 2018

In this fascinating and carefully researched book, Dominique Jando tells us when, why and how the former sergeant-major of a British Hussars regiment created the most universal form of entertainment, the Circus. It was not a chance occurrence: the place, the times and the social context, all led to this pivotal moment. Philip Astley became England's greatest showman, but if he was indeed a visionary, he was not a lone experimentalist: immediately, other equestrians followed his example and participated in the development and expansion of the circus in Europe and the Americas. This is the story, too, of these extraordinary and colorful pioneers who were Astley's contemporaries, whether pupils, competitors or colleagues: Charles Hughes, John Bill Ricketts, Philip Lailson, Antonio Franconi and a few others-including Astley's own son, John Conway Astley. Relying in large part on their contemporaries' testimony, Dominique Jando places these pioneers back in their historical and social context, as well as in the often-overlooked context of the nascent show business of the late eighteenth century-principally in Great Britain, but also in Europe and in America. [editor summary]
In this fascinating and carefully researched book, Dominique Jando tells us when, why and how the former sergeant-major of a British Hussars regiment created the most universal form of entertainment, the Circus. It was not a chance occurrence: the place, the times and the social context, all led to this pivotal moment. Philip Astley became England's greatest showman, but if he was indeed a visionary, he was not a lone experimentalist: i...


Cote : 791.309 2 A855p 2018

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Philip Astley : la naissance du cirque

Denis, Dominique
Aulnay-sous-Bois, France : Art des 2 mondes, 2018

La naissance du Cirque narrée, année par année, par Dominique Denis, illustrée de 210 documents. [résumé de l'éditeur]


Cote : 791.309 2 A855p 2018

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LIVRES

Astley's Circus : the story of an english hussar

Rendell, Mike
North Charleston, South Carolina : CreateSpace Independent Publishing Platform, 2014

This is the story of one of the most famous and popular entrepreneurs of the 18th Century - a man dubbed "the father of the modern circus". Philip Astley was a teenager who yearned for adventure and above all who wanted to work with horses. He served in the British Army in the Seven Years War, learning how to train horses for battle, and then left to find his fortune in London giving riding lessons and putting on exhibitions of trick riding. In doing so he came up with a formula for entertaining thousands, with his demonstrations of clowning on horseback, juggling, rope walking and acrobatics. He dazzled with fireworks, he impressed with colour and he amazed his audiences with re-enactments of battles and sieges. In doing so he launched the modern circus, building circus premises across Europe and inspiring others to follow the trail which he blazed. It is a story of courage and resilience, and of how one man, in the right place at the right time, achieved a remarkable success in the field of popular entertainment. [editor summary]
This is the story of one of the most famous and popular entrepreneurs of the 18th Century - a man dubbed "the father of the modern circus". Philip Astley was a teenager who yearned for adventure and above all who wanted to work with horses. He served in the British Army in the Seven Years War, learning how to train horses for battle, and then left to find his fortune in London giving riding lessons and putting on exhibitions of trick riding. In ...


Cote : 791.309 2 A855a 2014

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A proper circus omie

Knight, Dame Laura
Londres : Peter Davies, 1962

When Ginnett's Circus had come to Belfast, Josie had wanted to become part of one: an acrobat was what he really wanted to be, but in any case an 'omie', which means a performer, a circus man. So he practised in every spare minute that he could. While Protestants and Roman Catholics fought in the town's streets, and Josie's mother worked in the steamy heat of her laundry, he'd be playing truant from school, perfecting handsprings, backbends, dreaming of the Big top and the golden glimmer of the gasoliers. Then late at night his mother might find him fast asleep with both legs wrapped around his neck. Josie achieved his ambition, and the Circus took him, and later in life he worked in a show with which Dame Laura Knight travelled for several seasons; the old clown and his wife became close friends of hers. In this book Dame Laura has set down Josie's memories just as he told them to her; over countless cups of tea, in the shadow of the great dome of canvas, or while the wagons rumbled on, and on through town and village and countryside and with men like Josie - 'omies', born to the life and knowing no other! - chatting, dreaming over the reins. With forty-two monochrome drawings, endpapers and full-colour frontispiece by the author. [editor summary]
When Ginnett's Circus had come to Belfast, Josie had wanted to become part of one: an acrobat was what he really wanted to be, but in any case an 'omie', which means a performer, a circus man. So he practised in every spare minute that he could. While Protestants and Roman Catholics fought in the town's streets, and Josie's mother worked in the steamy heat of her laundry, he'd be playing truant from school, perfecting handsprings, backbends, ...


Cote : 791.330 92 K692p 1962

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