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ARTICLES DE PERIODIQUES
Batson, Charles R.
Québec Studies, September 2014
The artistic direction of the First Chicago Contemporary Circus Festival (January 2014) was unabashedly contemporary with a clear nod to Québec's circus practices. Charles Batson (Union College), Zita Nyarady (York University), CarlosAlexis Cruz (UNC-Charlotte), and Roy Gómez-Cruz (Northwestern University) offer their responses to the three Québec productions programmed in the festival, and to Ricochet, an American company which seemed to share some of the codes and artistic sensibility of young Québec companies while charting its own course. [editor summary]
La programmation de la première édition du festival du cirque contemporain de Chicago (janvier 2014) était sans réserves contemporaine et elle faisait une large place aux pratiques circassiennes québécoises. Charles Batson (Union College), Zita Nyarady (York University), CarlosAlexis Cruz (UNC-Charlotte) et Roy Gómez-Cruz (Northwestern University) se sont livrés à l'exercice de la critique des trois spectacles québécois à l'affiche, ainsi que Ricochet, jeune compagnie américaine, qui semble avoir en commun les codes et la sensibilité artistique de ses contemporains québécois, tout en affirmant sa singularité. [résumé de l'éditeur]
The artistic direction of the First Chicago Contemporary Circus Festival (January 2014) was unabashedly contemporary with a clear nod to Québec's circus practices. Charles Batson (Union College), Zita Nyarady (York University), CarlosAlexis Cruz (UNC-Charlotte), and Roy Gómez-Cruz (Northwestern University) offer their responses to the three Québec productions programmed in the festival, and to Ricochet, an American company which seemed to share ...