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Serez-vous vous sortir de la toile inextricable de ces énigmes ? Harry Houdini est le plus célèbre magicien et roi de l'évasion de tous les temps. Au tournant du XXe siècle, il laissait des dizaines de milliers de spectateurs abasourdis devant son incroyable répertoire de tours : se dégager de chaînes et de cadenas, sortir d'une tombe après avoir été enterré vivant, se libérer d'une camisole de force en étant suspendu à une grue... 100 énigmes illustrées, inspirées des exploits légendaires d'Harry Houdini. Des casse-tête en chaîne ! Une mauvaise réponse pourrait bien vous entraîner dans un cercle vicieux... Vos neurones seront vos seuls atouts dans ces situations inextricables !

"¡Señores y señoras!, ¡Damas y caballeros! ¡El mayor espectáculo del mundo ha llegado a su ciudad! Estas palabras son el preámbulo de la aparición de algo mágico, que despierta nuestro más tierno recuerdo. Existen pocas disciplinas que susciten en el espectador sentimientos tan universales como los de la risa, la admiración, la angustia, el suspenso, la alegría, el asombro, el miedo, el romance, la luz o la oscuridad. Todo eso... es el circo. Al igual que la música, la pintura o el teatro, el espectáculo circense surge de una necesidad de expresión del ser humano que trasciende los límites, explora el riesgo, la superación personal y las emociones.

Disappearing Tricks revisits the golden age of theatrical magic and silent film to reveal how professional magicians shaped the early history of cinema. While others have called upon magic as merely an evocative metaphor for the wonders of cinema, Matthew Solomon focuses on the work of the professional illusionists who actually made magic with moving pictures between 1895 and 1929. The first to reveal fully how powerfully magic impacted the development of cinema, the book combines film and theater history to uncover new evidence of the exchanges between magic and filmmaking in the United States and France during the silent period. Chapters detailing the stage and screen work of Harry Houdini and Georges Méliès show how each transformed theatrical magic to create innovative cinematic effects and thrilling new exploits for twentieth-century mass audiences. The book also considers the previously overlooked roles of anti-spiritualism and presentational performance in silent film. Highlighting early cinema's relationship to the performing body, visual deception, storytelling, and the occult, Solomon treats cinema and stage magic as overlapping practices that together revise our understanding of the origins of motion pictures and cinematic spectacle. [editor symmary]

Born Ehrich Weiss in Budapest, Hungary, Harry Houdini (1874–1926) was a rabbi’s son who became one of the 20th century’s most famous performers. His gripping theatrical presentations and heart-stopping outdoor spectacles attracted unprecedented crowds, and his talent for self-promotion and provocation captured headlines on both sides of the Atlantic. This essays on the artist’s life and work documenting Houdini’s evolution and influence from the late 19th century to the present.[editor summary]

Set off on a magical history tour with Milbourne Christopher's classic Illustrated History of Magic. Follow the fascinating stories of the world's greatest conjurers, from sorcerer-priests in ancient Egypt, The Great Herrmann, Harry Kellar, Chung Ling Soo, Houdini, to modern miracle workers like David Copperfield, Siegfried and Roy, and David Blaine.

Filled with fantastic illustrations—poster art, photographs, illusion diagrams—this book is a feast for anyone interested in the conjuring arts. [editor summary]

Harry Houdini and his exposure of the fraud spiritualist, spirit photography, spirit slate writing, ectoplasm, clairvoyance, and other quakery and cons perpetrated on the gullible, by the likes of the Boston Medium Margery, the Davenport Brothers, Annie Eva Fay, the Fox Sisters, Daniel Dunglas Home, Eusapia Pallandino, and other con artists of their ilk.

The whole country got excited by Houdini's campaign against faking spiritualists. He careened through the country, offering money for spirit contacts he couldn't duplicate by admitted magical chicanery. It was a heyday not only for Houdini but for the spirit-callers and there was an equally famous protagonist who thought the spirits could indeed be contacted, Sir Arthur Conan Doyle. A photo at the front records a meeting between Houdini and Doyle and Houdini gives Doyle his own chapter. There's an earlier chapter on Daniel Dunglas Home, the English engineer of spectacular paranormal effects. Houdini raises hell with spiritualists who were giving their (usually paying) clients a vision of heavens to come, and shares the methods used to practice "fake" and sensational spiritualism.

Houdini was nothing if not unrelenting. As a taste of things to come, he ends his introduction with the words: "Up to the present time everything that I have investigated has been the result of deluded brains." [editor summary]