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LIVRES

National Performance : representing Quebec from Expo 67 to Céline Dion

Hurley, Erin
Toronto : University of Toronto Press, 2011

In National Performance, Erin Hurley examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the critical response to Michel Tremblay's Les Belles Soeurs, Carbone 14's image-theatre, Marco Micone's writing practices, Celine Dion's popular music, and feminist performance of the 1970s and 80s, Hurley reveals the ways in which certain performances come to be understood as 'national' while others are relegated to sub-national or outsider status. Each chapter focuses on a particular historical moment in Quebec's modern history and a genre of performance emblematic of the moment, and uses these to elaborate the nature of the national performances. [editor summary]
In National Performance, Erin Hurley examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the critical response to Michel Tremblay's Les Belles Soeurs, Carbone 14's ...


Cote : 792.097 14 H9653n 2011

  • Ex. 1 — disponible
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LIVRES

Theatre & feeling

Hurley, Erin
New York : Palgrave MacMillan, 2010

This book explores the idea that, for many people, theatre is a passion. It provides an intellectual framework for the range of emotional experience engendered by the theatre, bringing the issue of theatrical feeling into focus as both a research object and a method in Theatre Studies.his book explores the idea that, for many people, theatre is a passion. It provides an intellectual framework for the range of emotional experience engendered by the theatre, bringing the issue of theatrical feeling into focus as both a research object and a method in Theatre Studies. [editor summary]
This book explores the idea that, for many people, theatre is a passion. It provides an intellectual framework for the range of emotional experience engendered by the theatre, bringing the issue of theatrical feeling into focus as both a research object and a method in Theatre Studies.his book explores the idea that, for many people, theatre is a passion. It provides an intellectual framework for the range of emotional experience engendered by ...


Cote : 792.01 H9654t 2010

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ARTICLES DE PERIODIQUES

Le cirque : de la différence à la ressemblance

Hurley, Erin
Spirale magazine culturel, 2009

Analyse de deux visions du cirque au Québec : le nouveau cirque et le cirque traditionnel, à l'aide de deux livres "The fall of the big top. The vanishing american circus" de David Lewis Hammarstrom et "The contemporary circus : art of the spectacular " d'Ernest Albrecht.


Cote : 791.309 714 H9653c 2009

  • Ex. 1 — Consultation sur place
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ARTICLES DE PERIODIQUES

Les corps multiples du Cirque du Soleil

Hurley, Erin ; Léger, Isabelle
Université McGill, 2008


Cote : 791.309 227 14 H9391c 2008

  • Ex. 1 — Consultation sur place
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ETUDES, GUIDES ET RAPPORTS

Cirque talk, 22 October 2010

Hurley, Erin
2010


Cote : CIRQ-221-SOL

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