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LIVRES

Universal tongue

Kruithof, Anouk
Gent : Art Paper Editions, 2022

Universal Tongue' celebrates the great diversity of the global dance kaleidoscope in the era of the Internet. It was born from visual artist Anouk Kruithof?s fascination with dance videos distributed online as a representation of self-expression, cultural identity, empowerment and fun.00In collaboration with a team of 50 researchers from across the globe, she sourced over 8800 dance videos online, which were edited down to a 1000 unique dance styles that she blended into a dynamic 8 channel video installation with a four hour duration, accompanied by a unifying soundtrack. The researchers provided a short text for each dance style presented in their found videos. These 1000 edited texts combined with screenshots taken from the videos introduce the origin, background and meaning of the dance styles. Et voilà! this ?dancyclopedia? through the jungle of the Internet was born!00This book shows how dance can be a way of knowing about the world. It is by no means exclusive, final, or academic. It is a statement. Organized in alphabetical order by the first letter of each dance style, it confirms the horizontality of 'Universal Tongue', by erasing typical categories of the world order, such as country, continent, or culture. Instead, it points us towards a more inclusive world with a limitless exchange ? a world where simply everyone is a dancer
Universal Tongue' celebrates the great diversity of the global dance kaleidoscope in the era of the Internet. It was born from visual artist Anouk Kruithof?s fascination with dance videos distributed online as a representation of self-expression, cultural identity, empowerment and fun.00In collaboration with a team of 50 researchers from across the globe, she sourced over 8800 dance videos online, which were edited down to a 1000 unique dance ...


Cote : 793.330 3 K944u 2022

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LIVRES

Contemporary choreography : a critical reader

Butterworth, Jo ; Wildschut, Liesbeth
Londre : Routledge, 2009

This innovative text provides a range of articles covering choreographic enquiry, investigation into the creative process, and traditional understandings of dance making. Contemporary Choreography features contributions by practitioners and researchers from Europe, America, Africa, Australasia and the Asia-Pacific region, investigating the field in six broad domains: conceptual and philosophic concerns,educational settings, communities, changing aesthetics, intercultural choreography, choreography’s relationships with other disciplines. [editor summary]
This innovative text provides a range of articles covering choreographic enquiry, investigation into the creative process, and traditional understandings of dance making. Contemporary Choreography features contributions by practitioners and researchers from Europe, America, Africa, Australasia and the Asia-Pacific region, investigating the field in six broad domains: conceptual and philosophic concerns,educational settings, communities, changing ...


Cote : 792.82 B9885c 2009

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MEMOIRES ET THESES

Audience emotion & experience as a source for the development of new marketing strategies for concert dance

Fraga, Maurice A.
New York : Department of Dance of The College at Brockport, 2016

Traditional concert dance marketing strategies tend to rely exclusively on the use of abstracted body language to transmit meaning from digital and stage presentations to the eyes of viewers. These images can be highly attractive to dance audience and fellow artists who follow and relate to this genre of performance, but are typically beyond the reach and interest of most non-dance spectators. This research investigates how the study of sports and music marketing strategies, in relation to how they connect to their respective audiences, may give new insights and directions in how concert dance advertising plans can incorporate more emotional and relatable content to non-dance spectators who do not have the same sensibility and history with abstract physical language. By embracing more well-rounded and balanced approaches to promotion such as those currently being put forth by the sport and music sectors, the concert dance industry can help infuse their dance marketing efforts with a fresh jolt of personal engagement, encouraging the general public to see
concert dance as a viable form of entertainment and art that can have relevance and value to their lives. [editor summary]
Traditional concert dance marketing strategies tend to rely exclusively on the use of abstracted body language to transmit meaning from digital and stage presentations to the eyes of viewers. These images can be highly attractive to dance audience and fellow artists who follow and relate to this genre of performance, but are typically beyond the reach and interest of most non-dance spectators. This research investigates how the study of sports ...


Cote : 381.457 F811a 2016

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ARTICLES DE PERIODIQUES

Dossier : Danse et marionnette

Ballroom n°16, p.28-50, décembre 2017

Danse et marionnette / Nathalie Yokel

Le danseur à l'école de la marionnette / Claire Besuelle

Trois questions à ... Anne-Françoise Cabanis (Festival mondial des théâtres de marionnettes de Charleville-Mézières) ... Isabelle Bertola (Mouffetard-Théâtre des arts de la marionnette)

La main qui danse : pensées métonymiques / Noémie Lorentz

Des chorégraphes au défi de la marionnette / Ali Moini, Denis Plassard, yan Raballand
Danse et marionnette / Nathalie Yokel

Le danseur à l'école de la marionnette / Claire Besuelle

Trois questions à ... Anne-Françoise Cabanis (Festival mondial des théâtres de marionnettes de Charleville-Mézières) ... Isabelle Bertola (Mouffetard-Théâtre des arts de la marionnette)

La main qui danse : pensées métonymiques / Noémie Lorentz

Des chorégraphes au défi de la marionnette / Ali Moini, Denis Plassard, yan Raballand

  • Ex. 1 — Consultation sur place
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ARTICLES DE PERIODIQUES

Aesthetics of aerial dance and aerial circus

Smith, Sonya
Journal of Emerging Dance Scholarship Vol. 1, Dance in New Spaces with New Audiences by New Performers (part 4), 2013

Aerial circus and aerial dance are two styles of aerial performance that use a variety of suspended objects move the human body into a vertical performance space. Aerial dance and aerial circus arise from separate lineages with distinct aesthetic values. This paper will begin by identifying the individual aesthetics and historical roots of both aerial dance and aerial circus, and articulating points of natural conflation. Blurring between aerial circus and aerial dance is perhaps reflective of a similar, global blurring across numerous performance genre. The final portion of this paper will discuss specific examples of this aesthetic blurring between aerial circus and aerial dance. This type of analysis affords greater insight into the diverse influences potentially present in any aerial performance. [editor summary]
Aerial circus and aerial dance are two styles of aerial performance that use a variety of suspended objects move the human body into a vertical performance space. Aerial dance and aerial circus arise from separate lineages with distinct aesthetic values. This paper will begin by identifying the individual aesthetics and historical roots of both aerial dance and aerial circus, and articulating points of natural conflation. Blurring between aerial ...


Cote : 791.340 1 S6421a 2013

  • Ex. 1 — Consultation sur place
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