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y Histoire des arts du cirque - Mexique

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LIVRES

The Routledge circus studies reader

Tait, Peta ; Lavers, Katie
New York : Routledge , 2016

The Routledge Circus Studies Reader offers an absorbing critical introduction to this diverse and emerging field. It brings together the work of over 30 scholars in this discipline, including Janet Davis, Helen Stoddart and Peta Tait, to highlight and address the field’s key historical, critical and theoretical issues. It is organised into three accessible sections, Perspectives, Precedents and Presents, which approach historical aspects, current issues, and the future of circus performance.

The chapters, grouped together into 13 theme-based sub-sections, provide a clear entry point into the field and emphasise the diversity of approaches available to students and scholars of circus studies. Classic accounts of performance, including pieces by Philippe Petit and Friedrich Nietzsche, are included alongside more recent scholarship in the field.

Edited by two scholars whose work is strongly connected to the dynamic world of performance, The Routledge Circus Studies Reader is an essential teaching and study resource for the emerging discipline of circus studies. It also provides a stimulating introduction to the field for lovers of circus. [editor summary]
The Routledge Circus Studies Reader offers an absorbing critical introduction to this diverse and emerging field. It brings together the work of over 30 scholars in this discipline, including Janet Davis, Helen Stoddart and Peta Tait, to highlight and address the field’s key historical, critical and theoretical issues. It is organised into three accessible sections, Perspectives, Precedents and Presents, which approach historical aspects, ...


Cote : 791.301 T135r 2016

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LIVRES

El siglo de Oro del Circo en México

Revolledo Cárdenas, Julio
Mexique : Coleccion Revolledo Cardenas, 2010


Cote : 791.309 72 R4547c 2010

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LIVRES

Circo II : leyenda y color

Olmos, Gabriela
Mexico : Artes de Mexico, 2007

2e partie de l’ouvrage «Circo : arte y poesia» portant sur l’histoire fabuleuse des arts du cirque au Mexique.


Cote : 791.309 72 O512c 2007

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LIVRES

Circo : arte y poesia

Olmos, Gabriela
Mexico : Artes de Mexico, 2007

Superbe ouvrage en deux volumes portant à la fois sur l’esthétique et l’histoire des arts du cirque au Mexique, ainsi que sur la thématique du cirque dans les arts visuels.


Cote : 791.309 72 O512c 2007

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LIVRES

La fabulosa historia del circo en México

Revolledo Cárdenas, Julio
México : Escenología, 2003


Cote : 791.309 72

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LIVRES

Circo callejero

Hiriart, Hugo
México : Ediciones Era, 2002

En tanto más pobre, elemental y astroso es un circo, es más poético y expresivo. La razón del tono poético nacido de la incuria es que el circo, todo circo, aun los ricos y lujosos, de tres pistas, destilan no sé qué melancolía, y la miseria indefensa y callejera aumenta y precisa esta característica sutil. En el payaso pintarrajeado y gesticulante la melancolía alcanza su cumbre. En el disfraz de payaso hay un elemento de risa obligatoria, por eso fracasa siempre en su intento. Y aparece ahí ese otro sentido, más suave, lateral, el de fracaso estrepitoso y esencial. La delicada poesía del fracaso. Y aquí aparece el circo callejero. Tiene el sabor fuerte del “se hace lo que se puede. Su voluntad es invencible. Es parodia de parodia y gran momento del teatro del absurdo. [4e de couv.]
En tanto más pobre, elemental y astroso es un circo, es más poético y expresivo. La razón del tono poético nacido de la incuria es que el circo, todo circo, aun los ricos y lujosos, de tres pistas, destilan no sé qué melancolía, y la miseria indefensa y callejera aumenta y precisa esta característica sutil. En el payaso pintarrajeado y gesticulante la melancolía alcanza su cumbre. En el disfraz de payaso hay un elemento de risa obligatoria, por ...


Cote : 791.309 72 H614c 2002

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LIVRES

A history of the circus in America

Chindahl, George Leonard
Caldwell, Idaho : Caxton Printers, 1959

In this book the author traces the development of the circus in America since 1771, beginning with the small "overland" troupes that toiled along country roads by means of horse drawn wagons, then continues with the shows that made better time on the railroads, and finally moves on to those that now travel on trucks and house their personnel in trailers. [editor summary]


Cote : 791.309 7 C5395h 1959

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LIVRES RARES ET ANCIENS

Los payasos, poetas del pueblo : el circo en Mexico : cronica

Maria y Campo, Armando de
Mexico : Botas, 1939


Cote : 791.309 72 M332p 1939

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MEMOIRES ET THESES

La Maroma : the revival of rural circus in the Mixteca, Mexico

Carrillo, Julian Antonio
Indiana University - Department of Folklore and Ethnomusicology, 2014

The maroma in southern Mexico is an artistic performance that features acrobats as well as elements of theater, poetry, and music commonly performed by clown poets. The maroma's form and content is drawn from a mixture of medieval European street performances, pre-Hispanic indigenous acrobatic arts, and modern circus features. It is typically performed as entertainment in the context of the patronal saint fiesta, annual popular Catholic events that serve as significant spaces that furnish cultural elements for identity construction. The maroma was very popular in the capital of New Spain throughout the colonial period (1519-1822) but with the rise of the European modern circus was either incorporated or displaced. In the countryside, however, the maroma appears to have continued for a longer period of time. Currently, it is practiced among several ethnic groups, among them the Mixtecs in the Mixteca--a region that covers parts of the states Oaxaca, Guerrero, and Puebla. In the last decade in the Mixteca, maroma groups and state cultural institutions have worked collectively to "revive" the maroma as the practice has been declining since the mid-to-late 20th century. This thesis is a preliminary incursion into the maroma as currently practiced in the Mixteca Baja. I argue that due to the effects of transnationalism and because the maroma has been present at patronal saint fiestas for a long time, significant spaces that furnish cultural elements for identity construction and negotiation, the maroma has become a symbol of a "pan-Mixtec" identity, an identity that unites all Mixtecs regardless of their specific town or region. Drawing from second-hand sources and fieldwork conducted in the towns of Huajuapan de León, La Trinidad Huaxtepec, San Juan Yolotepec, Santa María Acaquizapan, and Santa Rosa Caxtlahuaca, this thesis introduces the practices of maromeros and the work of state cultural institutions to represent a slice of the maroma revival in the region. Moreover, it strives to contribute to the maromero revival by providing information on the maroma in historical context, current performance and performers, and the revivalist activities the regional state cultural institution has taken thus far. [author summary]
The maroma in southern Mexico is an artistic performance that features acrobats as well as elements of theater, poetry, and music commonly performed by clown poets. The maroma's form and content is drawn from a mixture of medieval European street performances, pre-Hispanic indigenous acrobatic arts, and modern circus features. It is typically performed as entertainment in the context of the patronal saint fiesta, annual popular Catholic events ...


Cote : 791.309 72 C317m 2014

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NUMEROS DE REVUES

Generacion no 60 : Circo

Mexico, 2005


Cote : GEN-60

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Disponibilité
Type
Sujets

Histoire des arts du cirque - Mexique [13]

Histoire des arts du cirque - États-Unis [3]

Art clownesque - Philosophie et théorie [2]

Arts du cirque dans l'art [2]

Compagnies de cirque - Mexique [2]

Esthétique des arts du cirque [2]

Histoire des arts du cirque [2]

Musique de cirque [2]

Administration et logistique du cirque en tournée [1]

Androgynie [1]

Archaos [compagnie de cirque] [1]

Artiste de cirque - Australie - Biographies [1]

Artistes de cirque - Mexique - Biographies [1]

Artistes de cirque - Photographies [1]

Arts de la rue - Mexique [1]

Arts du cirque - Finlande [1]

Arts du cirque - Mexique [1]

Arts du cirque - Mouvements artistiques [1]

Arts du cirque - Organisation et gestion [1]

Arts du cirque - Philosophie et théorie [1]

Bell, Ricardo [clown] [1]

Chapayekas [1]

Circo Atayde Hermanos [compagnie de cirque] [1]

Circo de Chiarini [compagnie de cirque] [1]

Circo Orrin [compagnie de cirque] [1]

Circus Oz [compagnie de cirque] [1]

Cirko de Mente [compagnie de cirque] [1]

Cirque contemporain [1]

Cirque du Soleil [compagnie de cirque] [1]

Cirque social [1]

Cirque traditionnel [1]

Clowns - Biographies [1]

Clyde Beatty-Cole Bros. Circus [compagnie de cirque] [1]

Cole Bros. Circus [compagnie de cirque] [1]

Cristiani [1]

Études sur le genre [1]

Femmes artistes de cirque [1]

Gran Circo Bell [compagnie de cirque] [1]

Histoire des arts du cirque - 19e siècle [1]

Histoire des arts du cirque - Angleterre [1]

Histoire des arts du cirque - Canada [1]

Histoire des arts du cirque - Chine [1]

Histoire des Sideshow [1]

Homosexualité et arts du cirque [1]

Humour [1]

Kelly Miller Circus [compagnie de cirque] [1]

Maroma [1]

Ménageries - États-Unis - Histoire [1]

Montreal Working Group on Cirque/Circus [organisme de cirque] [1]

Musiciens - Photographies [1]

Nouveau cirque [1]

Nudité [1]

Patrimoine culturel - Mexique [1]

Peuples autochtones - Rites et cérémonies [1]

Publicité de cirque [1]

Représentation du corps circassien [1]

Ringling Bros. and Barnum & Bailey Circus [compagnie de cirque] [1]

Sells Brothers Circus [compagnie de cirque] [1]

Sémiotique et arts du cirque [1]

The Jim Rose Circus [compagnie de cirque] [1]

Théorie queer et arts du cirque [1]

Théories sur les arts du cirque [1]

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