m
0

Documents 

O
11 résultat(s)
y Blondin, Charles [funambule]
     

P Q

Déposez votre fichier ici pour le déplacer vers cet enregistrement.
y

LIVRES

King of the tightrope : when the Great Blondin ruled Niagara

Bowman, Donna Janell ; Gustavson, Adam
Atlanta : Peachtree Publishing Company Inc., 2019

For French funambulist, Jean-François Gravelet, aka The Great Blondin, routine performances on his tightrope became too dull, too boring, too ordinaire. Fame wasn’t enough to satisfy his artistic yearnings. He imagined dramatic and exciting feats that nobody had ever attempted. It took a fateful trip to Niagara Falls in 1858 to spark his most creative idea—to perform on a tightrope over the raging Niagara River. With the help of STEAM skills, The Great Blondin engineered his rope and proved that what can be imagined can be accomplished. Magnifique!
For French funambulist, Jean-François Gravelet, aka The Great Blondin, routine performances on his tightrope became too dull, too boring, too ordinaire. Fame wasn’t enough to satisfy his artistic yearnings. He imagined dramatic and exciting feats that nobody had ever attempted. It took a fateful trip to Niagara Falls in 1858 to spark his most creative idea—to perform on a tightrope over the raging Niagara River. With the help of STEAM skills, ...


Cote : 791.360 92 B7874k 2019

  • Ex. 1 — disponible
Déposez votre fichier ici pour le déplacer vers cet enregistrement.
y

LIVRES

Crossing Niagara : the death-defying tightrope adventures of the Great Blondin

Tavares, Matt
Somerville : Candlewick Press, 2016

When the Great Blondin announced that he was going to walk from America to Canada across the Niagara River on a rope that was more than 1,100 feet long and just 3 inches wide, hanging 160 feet above the raging river, people came from everywhere. Some came to watch him cross. Some came to watch him fall. Some thought he wouldn’t show up at all. But he did show up. And he did walk across the river. And then he did something else amazing. He crossed the river on that tightrope again and again, adding another death-defying flourish each time. Matt Tavares’s gorgeous, riveting account of the daredevil of Niagara Falls is sure to hold readers in its grip, just as Blondin's feats enthralled those spectators on the cliffs more than one hundred and fifty years ago.
When the Great Blondin announced that he was going to walk from America to Canada across the Niagara River on a rope that was more than 1,100 feet long and just 3 inches wide, hanging 160 feet above the raging river, people came from everywhere. Some came to watch him cross. Some came to watch him fall. Some thought he wouldn’t show up at all. But he did show up. And he did walk across the river. And then he did something else amazing. He ...


Cote : 791.360 92 B654c 2016

  • Ex. 1 — disponible
Déposez votre fichier ici pour le déplacer vers cet enregistrement.
y

LIVRES

Sawdust sisterhood : how circus empowered women

Ward, Steve
Stroud, Angleterre : Fonthill, 2016

Philip Astley first pegged out his circular 'ride' on the banks of the Thames in 1768 and so laid down the foundations of the modern circus. Performing feats of trick riding with his wife Patty Jones, little did he realise that before long women would become a dominant force in the circus. Sawdust Sisterhood explores how the circus empowered women and gave them the opportunity to compete and succeed as performers in their own right in an otherwise masculine world. Drawing upon historical news reports and contemporary interviews, the book explores the lives of female circus performers and focuses upon several of the more well-known artistes from across two centuries of circus, including; Madame Saqui, the renowned French wire-walker of the early nineteenth century; Nellie Chapman, the Victorian 'Lion Queen' of Wombwells's Menagerie and Circus; and Katie Brumbach, otherwise known as Sandwina, perhaps the most famous Strongwoman of the twentieth century. Sawdust Sisterhood acknowledges the role of the female circus performer across the centuries.

As paragons in heir field, these women became rich, famous and powerful despirte the prevailing sexist attitudes of their time. They often had to overcome undue criticism of their work and censure from those who felt their acts were at best inappropritate and at worst immoral. In performing remarkable, often death-defying physical feats, these women subverted the classic ideals of femininity and undoubtedly contributed to the later sexual revolution.

Sawdust sisterhood explores the journeys of these women and their contributions to the advancement of women's rights. Steve Ward, an expert on the circus, draws together various primary sources. newspaper articles, and feministe scholarship to give a full picture of the pivotal role of women in this medium. He also includes interviews with contemporary female performers and over thirty exquisite images. This is a detailed, personal, and deeply moving account of an often overloocked aspect of the struggle for female emancipation. [Editor's summary]
Philip Astley first pegged out his circular 'ride' on the banks of the Thames in 1768 and so laid down the foundations of the modern circus. Performing feats of trick riding with his wife Patty Jones, little did he realise that before long women would become a dominant force in the circus. Sawdust Sisterhood explores how the circus empowered women and gave them the opportunity to compete and succeed as performers in their own right in an ...


Cote : 791.308 2 W2561s 2016

  • Ex. 1 — disponible
Déposez votre fichier ici pour le déplacer vers cet enregistrement.
y

LIVRES

The greatest shows on earth

Simon, Linda
London : Reaktion Books, 2014

Traveling back to the circus’s early days, Linda Simon takes us to eighteenth-century hippodromes in Great Britain and intimate one-ring circuses in nineteenth-century Paris, where Toulouse-Lautrec and Picasso became enchanted with aerialists and clowns. She introduces us to P. T. Barnum, James Bailey, and the enterprising Ringling Brothers and reveals how they created the golden age of American circuses. Moving forward to the whimsical Circus Oz in Australia and to New York City’s Big Apple Circus and the grand spectacle of Cirque du Soleil, she shows how the circus has transformed in recent years. At the center of the story are the people—trick riders and tightrope walkers, sword swallowers and animal trainers, contortionists and clowns—that created the sensational, raucous, and sometimes titillating world of the circus. [editor summary]
Traveling back to the circus’s early days, Linda Simon takes us to eighteenth-century hippodromes in Great Britain and intimate one-ring circuses in nineteenth-century Paris, where Toulouse-Lautrec and Picasso became enchanted with aerialists and clowns. She introduces us to P. T. Barnum, James Bailey, and the enterprising Ringling Brothers and reveals how they created the golden age of American circuses. Moving forward to the whimsical Circus ...


Cote : 791.309 S5941g 2014

  • Ex. 1 — disponible
Déposez votre fichier ici pour le déplacer vers cet enregistrement.
y

LIVRES

Stilt walking : a history and how to

Maloy, Roy
Victoria, Australia : Mac Brothers Entertainment, 2013

With a history as vast and varied as any on earth stilt walking has a past that spans numerous industries, and has been used throughout time in countless cultures. Now, in one complete and definitive volume, Roy Maloy, the most accomplished stilt walker in history with four world records for fetes on stilts, takes the reader on a journey through time and culture as he explores the use of stilts throughout history. [author summary]


Cote : 791.360 9 M2983s 2013

  • Ex. 1 — disponible
Déposez votre fichier ici pour le déplacer vers cet enregistrement.
y

LIVRES

Niagara daredevils : thrills and spills over Niagara Falls

MacDonald, Cheryl
Canmore, Alta. : Altitude Publishing Canada, 2003

The stunt of choice for challenging Niagara Falls has been to go over it in a barrel. As this book documents, however, there have been many other innovative approaches to the falls. Beginning early in the 19th century, a number of individuals simply jumped, unencumbered by the likes of
barrels or boats. Various performers walked tightropes over the falls, incorporating an escalating variety of stunts and props to add interest to their feats. History records dozens of intrepid sailors navigating through the whirlpool rapids using vessels ranging from rubber rafts, through kayaks, to the earliest Maid of the Mist.

Riding barrels through the rapids came next. Its many proponents included Red Hill Sr. and Red Hill Jr. The son eventually moved on to actually going “over” the falls, and lost his life to the challenge. Anna Edson Taylor was the first person to go over the falls in a barrel, and unlike Red Hill Jr., she survived. Many others have tried, some successfully, others tragically. They made headlines briefly and then were lost to public memory, but the whole amazing history has been gathered by Cheryl MacDonald.

Niagara Daredevils is a fascinating and well-documented slice of local history that leaves the reader wondering what will be the 21st century’s manifestation of this obsession.
The stunt of choice for challenging Niagara Falls has been to go over it in a barrel. As this book documents, however, there have been many other innovative approaches to the falls. Beginning early in the 19th century, a number of individuals simply jumped, unencumbered by the likes of
barrels or boats. Various performers walked tightropes over the falls, incorporating an escalating variety of stunts and props to add interest to their feats. ...


Cote : 791.360 971 M1351n 2003

  • Ex. 1 — disponible
Déposez votre fichier ici pour le déplacer vers cet enregistrement.
y

LIVRES

Niagara : a history of the falls

Berton, Pierre
Toronto, Ontario : Anchor Canada, 2002

Full of heroes and villains, eccentrics and daredevils, scientists, and power brokers, Niagara has a contemporary resonance: how a great natural wonder created both the industrial heartland of southern Ontario and the worst pollution on the continent. [editor summary]


Cote : 971.339 B547n 2002

  • Ex. 1 — disponible
Déposez votre fichier ici pour le déplacer vers cet enregistrement.
y

LIVRES

Blondin

Shapiro, Dean M.
St.Catharines, Ont. : Vanwell Publishing, 1989


Cote : 791.360 92

  • Ex. 1 — disponible
Déposez votre fichier ici pour le déplacer vers cet enregistrement.
H Disponible en ligne

MEMOIRES ET THESES

High wire : risk and the art of tightrope walking

Myrvold, Paul
San Jose State University - Faculty of the Department of Theatre Arts, 1998

This work examines the notion of physical risk as it pertains to performance. Because the act of walking the high wire has become a metaphor for dangerous action as well as as performance skill, this thesis uses it as the standard by which all risk-laden performance can be evaluated. Theories of risk from the fields of commerce, engineering, psychology, and sociology are reviewed as well as the history and practice of wire walking. Specific performances of Philippe Petit, Jay Cochrane, the Wallenda Family, and the author are analyzed in search of the components that shape risk into an aesthetic element of art and the methods used by performers to control it.
This thesis also contains complete, unpublished interviews with Philippe Petit and Jay Cochrane as appendices. The final chapter contains theoretic conclusions applicable not only to high wire walking, but to any performance that courts physical injury or death. [author summary]
This work examines the notion of physical risk as it pertains to performance. Because the act of walking the high wire has become a metaphor for dangerous action as well as as performance skill, this thesis uses it as the standard by which all risk-laden performance can be evaluated. Theories of risk from the fields of commerce, engineering, psychology, and sociology are reviewed as well as the history and practice of wire walking. Specific ...


Cote : 791.360 9 M9984h 1998

  • Ex. 1 — disponible
Déposez votre fichier ici pour le déplacer vers cet enregistrement.

ARTICLES DE PERIODIQUES

Blondin conquers nature and invents the circus celebrity

Tait, Peta
Early Popular Visual Culture vol.11 n°3, p.205-217, September 2013

Blondin walked across Niagara Falls on a rope in 1859 and created a sensation. His fame made him synonymous with the high rope act. Drawing on archival and secondary sources, this article explains that Blondin’s rapid rise to international prominence, the merchandizing industry surrounding him, his large earning capacity, global travel, his special shows for journalists, and at least one complicated story of female fandom, pre-empt a modern idea of celebrity. The public perceives celebrities as ‘superhuman’. Did Blondin contribute to the invention of celebrity? Blondin’s reputation and his feats slide from the conquering of geographical space into ideas of mastery over untamed nature and even control over wild animals. Blondin’s athletic skill was undeniable but the varied costumes that framed the act also reinforced cultural notions of predatory prowess. His seemingly impossible feats could be celebrated as triumphant displays of masculinity and, more broadly, of European dominance over geography, other peoples and even species. Underlying the nineteenth century idea of celebrity arising from Blondin’s physical agility were hierarchical relations between races and cultures. As his name became a brand, his act denoted extremes of spatial inversion and gravity defying action conflated with the conquest of nature’s force. [author summary]
Blondin walked across Niagara Falls on a rope in 1859 and created a sensation. His fame made him synonymous with the high rope act. Drawing on archival and secondary sources, this article explains that Blondin’s rapid rise to international prominence, the merchandizing industry surrounding him, his large earning capacity, global travel, his special shows for journalists, and at least one complicated story of female fandom, pre-empt a modern idea ...

  • Ex. 1 — Consultation sur place
Déposez votre fichier ici pour le déplacer vers cet enregistrement.

ARTICLES DE PERIODIQUES

Les acrobates célèbres : prouesses de Blondin

Massicotte, Édouard-Zotique
[Poirier, Bessette & cie], 1909


Cote : 791.3409 2 M417a 1909

  • Ex. 1 — Consultation sur place

Filtrer

Disponibilité
Type
Sujets

Blondin, Charles [funambule] [11]

Traversée des Chutes Niagara [5]

Artistes de cirque - France - Biographies [2]

Astley, Philip [écuyer, propriétaire de cirque] [2]

Farini [funambule] [2]

Funambules - Biographies [2]

Leitzel, Lillian [artiste de cirque] [2]

Niagara, Chutes du (N. Y. et Ont.) - Histoire [2]

Niagara, Chutes du (N.Y. et Ont.) - Histoire [2]

Wallenda [famille de cirque] [2]

Acrobates - France - Biographies [1]

Artistes de cirque - Biographies [1]

Arts du cirque - Prise de risque [1]

Barnum & Bailey Greatest Show on Earth [spectacle de cirque] [1]

Big Apple Circus [compagnie de cirque] [1]

Billy Smart Circus [compagnie de cirque] [1]

Biographie [1]

Cascadeurs [1]

Cascadeurs et cascadeuses - Canada - Biographies [1]

Chaussures - Histoire [1]

Circus Oz [compagnie de cirque] [1]

Cirque antique [1]

Cirque d'Hiver [1]

Cirque dans l'art [1]

Cirque du Soleil [compagnie de cirque] [1]

Cirque Invisible [1]

Cirque Medrano [compagnie de cirque] [1]

Cirque Plume [compagnie de cirque] [1]

Cochrane, Jay [funambule] [1]

Codona, Alfredo [artiste de cirque] [1]

Colleano, Con [funambule] [1]

Contorsion - Histoire [1]

Debureau, Jean-Gaspard [mime] [1]

Dornon, Sylvain [1]

Ducrow, Andrew [artiste de cirque] [1]

Échasses - Étude et enseignement [1]

Échasses - Histoire [1]

Échasseurs namurois [1]

Échassiers Landais [1]

Europe - Moeurs et coutumes [1]

Exhibitions de phénomènes [1]

Femmes - Conditions sociales [1]

Femmes - Histoire [1]

Femmes artistes de cirque [1]

Fil de fer [1]

Funambules - Canada - Biographies [1]

Funambulisme - Aspect psychologique [1]

Funambulisme - Histoire [1]

Funambulisme - Philosophie et théorie [1]

Giffords Circus [compagnie de cirque] [1]

Grimaldi, Joseph, 1779-1837. [1]

Grock [clown] [1]

Hanlon Lees [compagnie de cirque] [1]

Histoire de l'art clownesque [1]

Histoire de l'art équestre [1]

Histoire de la jonglerie [1]

Histoire des arts du cirque [1]

Histoire des arts du cirque - 18e siècle [1]

Histoire des arts du cirque - 19e siècle [1]

Histoire des arts du cirque - 20e siècle [1]

Histoire des arts du cirque - Angleterre [1]

Histoire des arts du cirque - États-Unis [1]

Histoire des arts du cirque - France [1]

Histoire des arts du cirque - Italie [1]

Histoire du dressage [1]

Homme-canon [1]

Hommes forts [1]

Les 7 doigts de la main [compagnie de cirque] [1]

Lion Queen [artiste de cirque] [1]

Madame Genevieve [artiste de cirque] [1]

Madame Saqui [artiste de cirque] [1]

Mazeppa [1]

Pankhurst, Emmeline [artiste de cirque] [1]

Parades de cirque [1]

Patch, Sam [cascadeur] [1]

Petit, Philippe [funambule] [1]

Pickle Family Circus [compagnie de cirque] [1]

Représentation de la femme dans les arts du cirque [1]

Royal Circus [Angleterre] [1]

Sandwine [artiste de cirque] [1]

Sanger, George [propriétaire de cirque] [1]

Théâtre équestre Zingaro [compagnie équestre] [1]

Théâtre populaire - Chine [1]

Traditions acrobatiques [1]

Webb, Matthew [1]

Williams, Miriam Kate [artiste de cirque] [1]

Zazel [artiste de cirque] [1]

J Afficher plus

Auteurs
Date de publication
Langue

Z